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Analyzing the rise of art in the 18th century, this treatise demonstrates how painting, sculpture and literature were not regarded as valuable art forms before the emergence of a new bourgeois culture. The author reveals how Romantic poets and philosophers invented art as we know it today.
History --- Philosophy and psychology of culture --- Aesthetics of art --- Aesthetics, Comparative. --- Aesthetics, Modern --- Popular culture. --- 7.01 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Popular culture --- 1700-1799
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82:3 --- Literatuur en maatschappijwetenschappen --- Criticism. --- Economics. --- 82:3 Literatuur en maatschappijwetenschappen --- Criticism --- Economics --- Economic theory --- Political economy --- Social sciences --- Economic man --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Technique --- Evaluation
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Copyright. --- Plagiarism. --- Copyright --- Plagiarism --- 347.78 --- 347.78 Auteursrecht --- Auteursrecht --- Authorship --- Copyright infringement --- Literary ethics --- Literature --- Quotation --- Torts --- Imitation in literature --- Originality in literature --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Law and legislation
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Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in "intellectual property" has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by "knowledge economies" has increased, there is a special urgency associated with present-day inquiries into where rights to information come from, how they are justified, and the ways in which they are deployed. Making and Unmaking Intellectual Property, edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee, presents a range of diverse-and even conflicting-contemporary perspectives on intellectual property rights and the contested sources of authority associated with them. Examining fundamental concepts and challenging conventional narratives-including those centered around authorship, invention, and the public domain-this book provides a rich introduction to an important intersection of law, culture, and material production.
Intellectual property --- intellectual property, administrative law, ip, lawyers, policymakers, anthropologists, economists, literary theorists, political science, art, legal history, cultural critics, patent, copyright, trademark, traditional knowledge, international trade, rights to information, contemporary perspectives, sources of authority, fundamental concepts, authorship, invention, public domain, material production, essay collection, intangible properties, multidisciplinary approach.
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Literature --- Lohner, Edgar --- Literature.
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