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Radical satire and print culture, 1790-1822
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ISBN: 0198112785 Year: 1994 Volume: *20 Publisher: Oxford New York Clarendon Press Oxford University Press

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82:32 --- 942.07 --- 655.4 <41> --- Art and literature --- -Art and literature --- -Political satire, English --- -Politics and literature --- -Radicalism --- -Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Literature --- Literature and politics --- English political satire --- English wit and humor --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literatuur en politiek --- Geschiedenis van Engeland--(1714-1837) --- Uitgeverij. Boekhandel--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- History --- -History --- -History and criticism --- -Political aspects --- Cruikshank, George --- -Hone, William --- -Political and social views --- Political and social views --- -Literatuur en politiek --- -Cruikshank, George --- 942.07 Geschiedenis van Engeland--(1714-1837) --- 82:32 Literatuur en politiek --- -82:32 Literatuur en politiek --- Extremism, Political --- Political satire, English --- Politics and literature --- Radicalism --- History and criticism --- Cruikshank, George, --- Hone, William, --- Cecil, John, --- Cruickshank, George, --- Ck, G., --- G. Ck, --- GCK, --- G. C. K., --- G. C., --- C., G., --- Political and social views. --- Great Britain --- 19th century --- 18th century --- Political satire [English ] --- Hone, William --- Political satire, English - History and criticism. --- Art and literature - Great Britain - History - 18th century. --- Radicalism - Great Britain - History - 18th century.

Slavery, empathy, and pornography
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ISBN: 0198187203 Year: 2002 Publisher: Oxford Oxford university press

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This study considers the operations of slavery and of abolition propaganda on the thought and literature of England from the late-eighteenth to the mid-nineteenth centuries. Incorporating materials ranging from canonical literatures to the lowest form of street publication, Marcus Wood writes from the conviction that slavery was, and still is, a dilemma for everyone in England, and seeks to explain why English society has constructed Atlantic slavery in the way it has.


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Black milk : imagining slavery in the visual cultures of Brazil and America
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ISBN: 0199274576 9780199274574 0191669474 1299805507 0191741787 9781299805507 9780191669477 9780191741784 Year: 2013 Publisher: Oxford : Oxford University Press,

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'Black Milk' is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the 18th and 19th centuries. Exploring prints, photographs paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.

Slavery, empathy, and pornography
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ISBN: 1280444940 0191541931 1423757483 9781423757481 9781280444944 9786610444946 6610444943 9780198187202 0198187203 0198187203 1383009759 Year: 2002 Publisher: Oxford New York Oxford University Press

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This text considers the operations of slavery and of abolition propaganda on the thought and literature of English from the late-18th to the mid-19th centuries, incorporating materials ranging from canonical literatures to the lowest form of street publication.


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The black butterfly
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ISBN: 1949199045 1949199029 1949199037 9781949199048 Year: 2019 Publisher: Morgantown

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"The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertoes/Sertőes (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luis/Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention"-- "The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha--from the late nineteenth and early twentieth century"--


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Radical satire and print culture 1790-1822
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ISBN: 9780198112785 Year: 2002 Publisher: Oxford : Clarenden press,

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Blind memory : visual representations of slavery in England and America 1780-1865.
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ISBN: 071905446X 0719054451 Year: 2000 Publisher: Manchester Manchester university press

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The poetry of slavery : an Anglo-American anthology 1764-1865
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ISBN: 0198187084 Year: 2003 Publisher: Oxford Oxford university press

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The Horrible gift of freedom : atlantic slavery and the representation of emancipation
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ISBN: 9780820334271 Year: 2010 Publisher: Athens (Georgia) University of Georgia Press

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