Listing 1 - 9 of 9 |
Sort by
|
Choose an application
82:32 --- 942.07 --- 655.4 <41> --- Art and literature --- -Art and literature --- -Political satire, English --- -Politics and literature --- -Radicalism --- -Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Literature --- Literature and politics --- English political satire --- English wit and humor --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literatuur en politiek --- Geschiedenis van Engeland--(1714-1837) --- Uitgeverij. Boekhandel--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- History --- -History --- -History and criticism --- -Political aspects --- Cruikshank, George --- -Hone, William --- -Political and social views --- Political and social views --- -Literatuur en politiek --- -Cruikshank, George --- 942.07 Geschiedenis van Engeland--(1714-1837) --- 82:32 Literatuur en politiek --- -82:32 Literatuur en politiek --- Extremism, Political --- Political satire, English --- Politics and literature --- Radicalism --- History and criticism --- Cruikshank, George, --- Hone, William, --- Cecil, John, --- Cruickshank, George, --- Ck, G., --- G. Ck, --- GCK, --- G. C. K., --- G. C., --- C., G., --- Political and social views. --- Great Britain --- 19th century --- 18th century --- Political satire [English ] --- Hone, William --- Political satire, English - History and criticism. --- Art and literature - Great Britain - History - 18th century. --- Radicalism - Great Britain - History - 18th century.
Choose an application
This study considers the operations of slavery and of abolition propaganda on the thought and literature of England from the late-eighteenth to the mid-nineteenth centuries. Incorporating materials ranging from canonical literatures to the lowest form of street publication, Marcus Wood writes from the conviction that slavery was, and still is, a dilemma for everyone in England, and seeks to explain why English society has constructed Atlantic slavery in the way it has.
Antislavery movements --- -Empathy in literature --- English literature --- -English literature --- -Pornography --- -Slavery --- -Slavery in literature --- Literature and society --- -Slavery and slaves in literature --- Slaves in literature --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Literature, Immoral --- Porn --- Porno --- Sex-oriented businesses --- Erotica --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Abolitionism --- Anti-slavery movements --- Slavery --- Human rights movements --- History --- History and criticism --- Public opinion --- -History --- Social aspects --- Empathy in literature. --- Pornography --- Slavery in literature. --- History. --- History and criticism. --- Empathy in literature --- Slavery in literature --- Slavery and slaves in literature --- Public opinion&delete& --- Sex industry --- Enslaved persons --- Enslaved persons in literature
Choose an application
'Black Milk' is the first in-depth analysis of the visual arts that effloresced around slavery in Brazil and North America in the 18th and 19th centuries. Exploring prints, photographs paintings, sculptures, ceramics, and ephemera, it will change everything we knew, or thought we knew, about the visual archive of Atlantic slavery.
Slavery in art --- Slave trade in art --- Art, American --- Art, Brazilian --- Esclavage dans l'art --- Esclaves --- Art américain --- Art brésilien --- Commerce, dans l'art --- Slavery in art. --- Slave trade in art. --- Brazilian art --- American art --- Eight (Group of American artists) --- Indian Space (Group of artists) --- Mission School (Group of artists) --- NO!Art (Group of artists) --- Old Bohemians (Group of artists) --- Stieglitz Circle (Group of artists)
Choose an application
This text considers the operations of slavery and of abolition propaganda on the thought and literature of English from the late-18th to the mid-19th centuries, incorporating materials ranging from canonical literatures to the lowest form of street publication.
English literature --- Slavery in literature. --- Literature and society --- Slavery --- Antislavery movements --- Pornography --- Empathy in literature. --- Literature, Immoral --- Porn --- Porno --- Sex-oriented businesses --- Erotica --- Abolitionism --- Anti-slavery movements --- Human rights movements --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Slavery and slaves in literature --- Slaves in literature --- History and criticism. --- History --- Public opinion --- History. --- Sex industry --- Enslaved persons --- Enslaved persons in literature
Choose an application
"The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil's most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as "the poet of the slaves"; and da Cunha is known for the masterpiece Os Sertoes/Sertőes (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luis/Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention"-- "The Black Butterfly focuses on the slavery writings of three of Brazil's literary giants--Machado de Assis, Castro Alves, and Euclides da Cunha--from the late nineteenth and early twentieth century"--
Brazilian literature --- Slavery in literature. --- Slavery --- Abolitionists --- Africans --- Blacks --- LITERARY CRITICISM / Caribbean & Latin American. --- SOCIAL SCIENCE / Slavery. --- History and criticism. --- History. --- Alves, Castro, --- Machado de Assis, --- Cunha, Euclides da, --- Criticism and interpretation. --- Ethnology --- Social reformers --- Slavery and slaves in literature --- Slaves in literature --- Cunha, Euclydes da, --- Da Cunha, Euclides, --- Pimenta da Cunha, Euclides Rodrigues, --- Rodrigues Pimenta da Cunha, Euclides, --- Assis, Joaquim Maria Machado de, --- Assis, Machado de, --- De Assis, Joaquim Maria Machado, --- De Assis, Machado, --- Machado de Assis, Joaquim Maria, --- Machado de Assis, Joaquín María, --- Mashado de Assiz, Zhoakin, --- Alves, Antônio de Castro, --- Castro Alves, Antônio Frederico de, --- De Castro Alves, Antônio Frederico, --- Alves, Antônio Frederico de Castro, --- Castro Alves, Antônio de, --- Black persons --- Negroes --- Black people --- Semana --- Enslaved persons in literature
Choose an application
Choose an application
Choose an application
American poetry --- American poetry --- Antislavery movements --- English poetry --- English poetry --- Slavery --- Slaves --- Slave trade
Choose an application
Listing 1 - 9 of 9 |
Sort by
|