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Motion pictures --- History --- Cinéma --- Soviet Union

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Tengiz Abuladze's allegorical film, made in Georgia, is the best known film of the Perestroika and Glasnost years. With its outspoken and controversial reference to the Stalin era and Stalin's place in the Soviet psyche, ""Repentance"" was originally shelved but ultimately released in 1986 to widespread popular and critical acclaim. This "KINOfile" investigates the production, context and critical reception of the film, and the people who made it, and provides an analysis of the film itself and its place in world cinema.

Abulaże, Tʻengiz, --- Monanieba (Motion picture)

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This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

Motion pictures --- PERFORMING ARTS / Film & Video / History & Criticism. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- History --- History and criticism --- Soviet Union --- Ballad of a Soldier. --- Brother. --- Burnt by the Sun. --- Commissar. --- Eastern Europe. --- How I Ended This Summer. --- Lenin's Guard. --- Little Vera. --- Moscow Does Not Believe in Tears. --- Night Watch. --- Ninth Company. --- Repentance. --- Russia. --- Russian Ark. --- Russian Thaw. --- Solaris. --- Soviet. --- Stalker. --- The Cranes are Flying. --- The Diamond Arm. --- The Return. --- The Tuner. --- White Sun of the Desert. --- Wings. --- aesthetics. --- analysis. --- art. --- cinema. --- culture. --- film. --- history. --- motion pictures. --- movies. --- silent film.