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Aesthetics --- Sociology of culture --- Art and society --- Esthétique --- Art et société --- #SBIB:316.7C210 --- Art --- Art and sociology --- Society and art --- Sociology and art --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Cultuursociologie: kunst: algemeen --- Social aspects --- Psychology --- Aesthetics. --- Art and society. --- Esthétique --- Art et société --- Radio broadcasting Aesthetics
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Sociology of knowledge --- Theory of knowledge --- Sociology of culture --- Knowledge, Sociology of --- Art and society --- Hermeneutics --- Interpretation, Methodology of --- Criticism --- Knowledge, Theory of (Sociology) --- Communication --- Knowledge, Theory of --- Public opinion --- Sociology --- Social epistemology --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Art and society. --- Hermeneutics. --- Knowledge, Sociology of.
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Psychological study of literature --- Sociology of the family. Sociology of sexuality --- Aesthetics of art --- Sociology of culture --- Critique féministe --- Feminism and the arts --- Feminism--Philosophy --- Feminisme en kunst --- Feminist criticism --- Feminist sociology --- Feminist theory --- Feministische kritiek --- Feministische theorie --- Filosofie van het postmodernisme --- Féminisme et arts --- Philosophie postmoderniste --- Postmodernism --- Postmodernisme --- Postmodernisme (esthétique) --- Postmodernisme (filosofie) --- Postmodernisme (philosophie) --- Theory of feminism --- Théorie féministe --- #SBIB:316.346H29 --- #SBIB:316.7C130 --- #SBIB:316.7C210 --- Positie van de vrouw in de samenleving: andere topics --- Groepscultuur en subculturen --- Cultuursociologie: kunst: algemeen --- Feminism and the arts. --- Feminist criticism. --- Feminist theory. --- Postmodernism. --- Arts and feminism --- Post-modernism --- Postmodernism (Philosophy) --- Feminism --- Feminist philosophy --- Philosophy --- Arts --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Criticism
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Critique féministe --- Feminism--Philosophy --- Feminist criticism --- Feminist sociology --- Feminist theory --- Feministische kritiek --- Feministische theorie --- Theory of feminism --- Théorie féministe
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Arts and society. --- Communication in art. --- 7.01 --- Kunst en sociologie --- Kunsttheorie hedendaagse kunstproductie auteurschap --- Artistic communication --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Kunst theorie, filosofie, esthetica --- Social aspects --- Kunsttheorie ; hedendaagse kunstproductie ; auteurschap --- Kunst ; theorie, filosofie, esthetica --- Art --- 316:7 --- #SBIB:316.7C210 --- #SBIB:309H505 --- 316:7 Kunstssociologie --- Kunstssociologie --- Cultuursociologie: kunst: algemeen --- Code en boodschap: psychologische, psycho-analytische benadering --- Sociology of culture --- Arts. --- Arts et société --- Arts and society --- Communication in art
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Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Ethnicity in art. --- Gender identity in art. --- Painting, British --- Painting, American --- Modernism (Art) --- British painting --- Paintings, British --- Painting, Modern --- Washington Color School (Group of artists) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Gender identity in art --- Ethnicity in art
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Sociology of culture --- Art --- Arts and society. --- Communication in art.
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Women --- Advertising --- Consumers
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