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"Noble conceptions of politics in eighteenth-century Sweden (ca 1740-1790) is a study of how the Swedish nobility articulated its political ideals, self-images and loyalties during the Age of Liberty and under the rule of Gustav III. This book takes a close look at the aristocracy's understanding of a free constitution and at the nobility's complex relationship with the monarchy. Central themes are the old notion of mixed government, classical republican conceptions of liberty and patriotism, as well as noble thoughts on the rights and duties of the citizen, including the right to rebellion against an unrighteous ruler. The study is a conceptual analysis of public and private political statements made by members of the nobility, such as Diet speeches and personal correspondence. The book contributes to the large body of research on estate-based identities and the transformation of political language in the second half of the eighteenth century by connecting Swedish political ideals and concepts to their European context."

Nobility --- Aristocracy (Political science) --- History --- Sweden --- Politics and government --- Aristocracy --- Political science --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Suède --- Zweden --- Schweden --- Svezia --- Suecia --- Zviedrija --- Shvet︠s︡ii︠a︡ --- Szwecja --- Sverige --- Konungariket Sverige --- Kingdom of Sweden --- スウェーデン --- Suwēden --- Nobility - Sweden - History - 18th century --- Aristocracy (Political science) - Sweden - History - 18th century --- Sweden - Politics and government - 18th century

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In eighteenth-century Europe, artistic production was characterised by significant geographical and cultural transfer. For innumerable musicians, composers, singers, actors, authors, dramatists and translators - and the works they produced - state borders were less important than style, genre and canon. Through a series of multinational case studies a team of authors examines the mechanisms and characteristics of cultural and artistic adaptability to demonstrate the complexity and flexibility of theatrical and musical exchanges during this period.By exploring questions of national taste, so-called cultural appropriation and literary preference, contributors examine the influence of the French canon on the European stage - as well as its eventual rejection -, probe how and why musical and dramatic materials became such prized objects of exchange, and analyse the double processes of transmission and literary cross-breeding in translations and adaptations. Examining patterns of circulation in England, France, the Netherlands, Germany, Scandinavia, Russia, Bohemia, Austria, Italy and the United States, authors highlight:the role of migrant musicians in breaching national boundaries and creating a 'musical cosmopolitanism';the emergence of a specialised market in which theatre agents and local authorities negotiated contracts and productions, and recruited actors and musicians;the translations and rewritings of major plays such as Sheridan's The School for scandal, Schiller's Die Räuber and Kotzebue's Menschenhass und Reue;the refashioning of indigenous and 'national' dramas in Europe under French Revolutionary and imperial rule.

Theater and society --- Performing arts --- French drama --- History --- History and criticism. --- French canon --- French Revolution --- European stage --- musical cosmopolitanism --- theatre --- music --- eighteenth-century Europe