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Arts, Renaissance --- Confraternities --- Passion-plays --- History and criticism --- Arciconfraternita del gonfalone (Rome, Italy)

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Art, Italian. --- Christian art and symbolism --- Confraternities --- Art patronage --- Art italien --- Art et symbolisme chrétiens --- Confréries --- Mécénat --- Art, Italian --- 7.078 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- Sodalities --- Italian art --- Art et symbolisme chrétiens --- Confréries --- Mécénat --- Religious art --- Symbolism --- Church decoration and ornament --- Monasticism and religious orders --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Symbolism in art

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This volume, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, focuses on Rome from 1492-1692, an era of striking renewal: demographic, architectural, intellectual, and artistic. Rome's most distinctive aspects--including its twin governments (civic and papal), unique role as the seat of global Catholicism, disproportionately male population, and status as artistic capital of Europe--are examined from numerous perspectives. This book of 30 chapters, intended for scholars and students across the academy, fills a noteworthy gap in the literature. It is the only multidisciplinary study of 16th- and 17th-century Rome that synthesizes and critiques past and recent scholarship while offering innovative analyses of a wide range of topics and identifying new avenues for research. Contributors are: Renata Ago, Elisa Andretta, Katherine Aron-Beller, Lisa Beaven, Eleonora Canepari, Christopher Carlsmith, Patrizia Cavazzini, Elizabeth S. Cohen, Thomas V. Cohen, Jeffrey Collins, Simon Ditchfield, Anna Esposito, Federica Favino, Daniele V. Filippi, Irene Fosi, Kenneth Gouwens, Giuseppe Antonio Guazzelli, John M. Hunt, Pamela M. Jones, Carla Keyvanian, Margaret A. Kuntz, Stephanie C. Leone, Evelyn Lincoln, Jessica Maier, Laurie Nussdorfer, Toby Osborne, Miles Pattenden, Denis Ribouillault, Katherine W. Rinne, Minou Schraven, John Beldon Scott, Barbara Wisch, Arnold A. Witte.

City and town life --- Art --- Architecture --- City planning --- History. --- Rome (Italy) --- History --- Politics and government --- Church history. --- Intellectual life. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- City life --- Town life --- Urban life --- Sociology, Urban --- Design and construction --- Architecture, Primitive --- Art, Primitive

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Art --- violence --- observation --- Violence in art. --- Arts, European --- Violence dans l'art --- Arts européens --- Themes, motives. --- Thèmes, motifs --- Violence in art --- Themes, motives --- Arts européens --- Thèmes, motifs --- Arts and society --- Arts audiences --- Arts, Medieval --- Arts, Renaissance --- Violence --- Violence in literature --- Violence in the theater --- History --- Psychology --- Theater --- Stage combat --- Violent behavior --- Social psychology --- Renaissance arts --- Arts --- Audiences --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Arts, European - Themes, motives