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"Wahrend sich Rom schon in der spaten Republik zur wichtigsten Seemacht des Mittelmeers entwickelte, lat sich erstmals im fruhen Prinzipat in den Gewassern Nordwesteuropas beobachten, da Rom das gesamte Spektrum der Operationen zur See beherrschte und Operationen unternahm, an denen hunderte von Schiffen und tausende von Mannern beteiligt sein konnten. Trotz ihrer Bedeutung ist die Geschichte dieser Operationen bislang nicht systematisch aufgearbeitet worden. Die romische Armee auf dem Oceanus bietet daher zum ersten Mal einen Uberblick uber die Geschichte romischer Operationen zur See in Nordwesteuropa sowie eine eingehende Analyse von zwei wichtigen Operationstypen - Transportoperationen und amphibischen Angriffsunternehmungen. Rome became the Mediterranean's premier sea power already during the late Republic, but it only established a permanent naval presence in North-Western Europe during the early Principate. In that period it mastered the full spectrum of naval warfare, undertaking large-scale naval operations that involved hundreds of ships and thousands of men.Despite the impact of these operations, their history has never been systematically investigated. Die romische Armee auf dem Oceanus offers for the first time an operational history of Roman naval forces in North-Western Europe and provides an in-depth analysis of two important large-scale naval operation types - transport operations and amphibious assaults." --
Rome --- History, Naval --- Rome (Empire) --- History, Naval. --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Rome - History, Naval
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This book contains the proceedings of an international conference with a focus on Anatolia in the first millennium BC which took place on Monte Verità, Ascona in Switzerland, in 2018. The volume contains recent and thought-provoking research from diverse academic fields, bringing together historical, linguistic and archaeological lines of enquiry. The aim of the conference, to stimulate interdisciplinary debate and to close ever widening gaps between related fields, also motivates this volume. Thirty-one chapters in three languages address Anatolian matters 'Beyond All Boundaries' and present an essential contribution to the study of historical developments not only in Anatolia, but also in the neighbouring regions and the whole Mediterranean area in the first millennium BC.
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With the end of the Second World War, all its violence, war crimes, and sufferings as well as the atomic threat of the Cold War period, societies began to gradually remember wars in a different way. The glorious or honorable element of the age of nationalism was transformed into a rather dunning one, while peace movements demanded an end of war itself. To analyze these changes and to show how war was remembered after the end of the Second World War, the present volume assembles the work of international specialists who deal with this particular question from different national and international perspectives. The contributions analyze the role of soldiers, perpetrators, and victims of different conflicts, including the Second World War. They show which motivational settings led to the erection of war memorials reflecting the values and historical traditions of the second half of the 20th and the 21st centuries. Thus, this interdisciplinary volume explores how war is commemorated and how its actors and victims are perceived around the globe.
Global History --- History of Memory --- Military History --- Second World War --- War Memorials
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War Memorials were an important element of nation building, for the invention of traditions, and the establishment of historical traditions. Especially nationalist remembrance in the late 19th century and the memory of the First World War stimulated a memorial boom in the period which the present book is focusing on. The remembrance of war is nothing particularly new in history, since victories in decisive battles had been of interest since ancient times. However, the age of nationalism and the First World War triggered a new level of war remembrance that was expressed in countless memorials all over the world. The present volume presents the research of international specialists from different disciplines within the Humanities, whose research is dealing with the role of war memorials for the remembrance of conflicts like the First World War and their perceptions within the analyzed societies. It will be shown how memorials - in several different chronological and geographical contexts - were used to remember the dead, remind the survivors, and warn the descendants.
First World War --- Global History --- History of Memory --- Military History --- War Memorials
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Japan has always been fascinating for foreign observers. This volume will show, how its military has been perceived abroad and what image about the Japanese Army existed between 1853 and 1945 in the minds of those who read and heard stories from the Far East. When forcefully opened by a US mission in 1853, Japan was transformed by its ruling elites into a strong nation state, whose military and political forces wanted to avoid a colonization by foreign powers. Therefore, Japan's military capacities were of special interest and the army and navy were westernized very fast. Japanese soldiers became known as "Asia's Prussians", and were often described as "gallant enemies". This image, however, should rapidly change after the First World War. During the battles in China since 1937, and the Pacific since 1941, the Japanese soldiers were often referred to as "devils." This volume will take a closer look at the images of Japan's military abroad to show how these images were created, how they changed and what stimulated the differences with regard to the foreign perception of Japan and its military between 1853 and 1945.
Japan --- Military History --- Samurai --- Media History --- Second World War --- Pacific War --- Russo-Japanese War --- Japan. --- History. --- Stereotypes (Social psychology) in mass media. --- Stéréotypes dans les médias. --- 1868-1945 --- Japon --- History, Military --- Histoire militaire
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The present volume provides a critical insight into the relationship of art and war. It shows how artists perceive war and how they depict it, to warn the spectator but to cure their own trauma at the same time. War causes destruction, loss, and trauma. Many artists have used their art to express feelings and memories related to these losses and their own traumatic experiences. The artwork that came into existence due to such processes reflects on events of our past, but should be considered a warning at the same time. To deal with human suffering means to fully engage with the artist remains of human war experiences. The present volume aims to provide a critical insight into the relationship between art and war, showing how artists dealt with human losses, destruction, and personal trauma.
History. --- Annals --- Auxiliary sciences of history --- Violence in art. --- Art and war. --- War and art --- Art and history --- Art and state --- War Art --- Art History --- Military History --- First World War --- Vietnam War --- War Artists
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