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"Twelve international curators actively involved in the artistic centres of Beirut, Bogotá, Cluj, Delhi, Istanbul, Johannesburg, Lagos, San Juan, São Paulo, Seoul, Singapore and Vancouver have each selected eight artists (and collectives) to represent the avant-garde of their particular city"--Preface.

Art, Modern --- Artists. --- Art --- Artistes --- Catalogs. --- Catalogues --- 7.039 --- Kunststeden ; internationale artistieke kunstscène ; 21ste eeuw --- Beiroet --- Bogota --- Cluj ; Cluj-Napoca --- Dehli --- Istanboel ; Istanbul --- Johannesburg --- Lagos --- San Juan (Puerto Rico) --- São Paulo --- Seoul --- Singapore --- Vancouver --- Persons --- Kunstgeschiedenis ; 2000 - 2050 --- Artists

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Artists --- Painters --- Art, Abstract --- 75.07 --- Schilderkunst ; 1964-2016 ; Etel Adnan --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Londen ; Serpentine Gallery --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Adnan, Etel °1925 (°Beiroet, Libanon) --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Persons --- Schilderkunst ; schilders --- Adnan, Etel. --- Adnan, Ethel --- ʻAdnān, Ītil --- عدنان ، ايتل --- Exhibitions --- Adnan, Etel --- Adnan, Etel 1925-2021 (°Beiroet, Libanon)

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Akunyili, Njideka ; Aran, Uri ; Ashoona, Shuvinai ; Boghiguian, Anna ; Bronstein, Pablo ; Chan, Paul ; Gastaldon, Vidya ; Huddleston, Donna ; Jamie, cameron ; Jurczak, Dorota ; Kopelman, Irene ; Kunath, Friedrich ; Mir, Aleksandra ; Pica, Amalia ; Plender, olivia ; Qureshi, Imran ; Reid Kelley, Mary ;Sietsema, Paul ; Sokolow, Deb ; Treister, Suzanne ; trouvé, tatiana ; Villar Rojas ; Van de Velde , Rinus

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Art --- art [discipline] --- Garabedian, Mekhitar --- Adnan, Etel --- Solh, Al, Mounira --- Alkadhi, Rheim --- Alsharif, Basma --- Antar, Ziad --- Boghiguian, Anna --- Elkoury, Fouad --- Haerizadeh, Rokni --- Hefuna, Susan --- Hiwa K. --- Hourani, Wafa --- Joreige, Lamia --- Kenawy, Amal --- Maamoun, Maha --- Rechmaoui, Marwan --- Sarkissian, Hrair --- Sharif, Hassan --- Shawky, Wael --- Younis, Ala --- Zaatari, Akram --- Khalili, Bouchra --- Mater, Ahmed --- Fattal, Simone --- Arsanios, Marwa --- Habjouqa, Tanya --- Hamadeh, Rana --- Harb, Shuruq --- Jarrar, Khaled --- Kerbaj, Mazen --- Madani, El, Hashem --- Mosallam, Abdul Hay --- Ouissi, Sofiane --- Ouissi, Selma --- Penjweny, Jamal --- Larbi Rahali, Mohamed --- Saadi, Al, Abdullah --- Traboulsi, Suha --- Leo, Van --- Marwan --- Barrada, Yto --- Attia, Kader --- Abounaddara [Damascus] --- GCC --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- Middle East --- Arab states --- North Africa

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This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

artists [visual artists] --- exhibitions [events] --- museology --- curating --- Museology --- Art --- Artists as art museum curators --- Artists and museums --- Curatorship --- History. --- Exhibition techniques. --- Techniques d'exposition --- kunst --- Avant-Garde Argentinian Visual Artists Group --- 7.038/039 --- Warhol Andy --- Thomas Philippe --- Ter-Oganyan Avdev --- Rosler Martha --- Zaatari Akram --- Raad Walid --- Oiticica Hélio --- Olowska Paulina --- McKenzie Lucy --- Macuga Goshka --- Leckey Mark --- Kippenberger Martin --- Hammons David --- Pasmore Victor --- Hamilton Richard --- Group Material --- Parreno Philippe --- Gillick Liam --- Hinderer Max Jorge --- Siekmann Andreas --- Creischer Alice --- Colab --- Collaborative Projects Inc. --- CalArts Feminist Art Program --- Schapiro Miriam --- Chicago Judy --- Cage John --- Ding Yi --- Shi Yong --- Zhou Tiehai --- Bull Hank --- Broodthaers Marcel --- Bochner Mel --- 069 --- museologie --- tentoonstellingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Curating --- Curatorial practice --- Museums and artists --- Display techniques --- Artists and museums. --- Artists as art museum curators. --- Curatorship. --- Kunstausstellung. --- Kunstmuseum. --- Kurator --- Künstler. --- Geschichte 1957-2015. --- Collaborative Projects Inc --- History --- Exhibition techniques --- Artistes conservateurs de musée d'art --- Artistes et musées --- Conservation --- Histoire --- Exhibitions --- Art museums --- Art museum curators --- exhibition curators --- Exposition --- Musée --- Sociologie de la culture --- MAD-faculty 17 --- musea --- hedendaagse kunstenaars --- kunsttentoonstellingen