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In Unsettled States, Dana Luciano andIvy G. Wilson present some ofthe most exciting emergent scholarship in American literary and culturalstudies of the “long” nineteenth century. Featuring eleven essays from seniorscholars across the discipline, the book responds to recent critical challengesto the boundaries, both spatial and temporal, that have traditionally organizedscholarship within the field. The volume considers these recent challenges tobe aftershocks of earlier revolutions in content and method, and it seeks waysof inhabiting and amplifying the ongoing unsettledness of the field.Writtenby scholars primarily working in the “minor” fields of critical race and ethnicstudies, feminist and gender studies, labor studies, and queer/sexualitystudies, the essays share a minoritarian critical orientation. Minoritariancriticism, as an aesthetic, political, and ethical project, is dedicated to findingnew connections and possibilities within extant frameworks. Unsettled States seeks to demonstratehow the goals of minoritarian critique may be actualized without automaticrecourse to a predetermined “minor” location, subject, or critical approach.Its contributors work to develop practices of reading an “Americanliterature” in motion, identifying nodes of inquiry attuned to the rhythms of afield that is always on the move.
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Walt Whitman's now-famous maxim about "containing the multitudes" has often been understood as a metaphor for the democratizing impulses of the young American nation. But did these impulses extend across the color line? Early in his career, especially in the manuscripts leading up to the first edition of Leaves of Grass, the poet espoused a rather progressive outlook on race relations within the United States. However, as time passed, he steered away from issues of race and blackness altogether. These changing depictions and representations of African Americans in the poetic space of Leaves of
Whitman, Walt, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Criticism and interpretation. --- Black people in literature. --- Blacks in literature. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Blacks in literature --- Blacks as literary characters --- Negroes in literature
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In this comprehensive volume of the collected writings of James Monroe Whitfield (1822-71), Robert S. Levine and Ivy G. Wilson restore this African American poet, abolitionist, and intellectual to his rightful place in the arts and politics of the nineteenth-century United States.Whitfield's works, including poems from his celebrated America and Other Poems (1853), were printed in influential journals and newspapers, such as Frederick Douglass's The North Star. A champion of the black emigration movement during the 1850's, Whitfield was embraced by African Americans
African Americans --- American poetry --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- African American poetry (English) --- Black poetry (American) --- Negro poetry --- Intellectual life --- African American authors. --- Afro-American authors --- Negro authors --- Black people
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