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In this new reading, Williams examines Lawrence's life in the context of his struggles with the dominant discourses of the day, and locates Lawrence's work as a site upon which debates around class, race and sexual identity should be discussed.

Lawrence, D. H. --- Lawrence, D. H. (David Herbert), --- Criticism and interpretation --- -Criticism and interpretation --- Criticism and interpretation. --- Lawrence, D. H., --- Lawrence, David Herbert, --- Davison, Lawrence H. --- Lorensŭ, --- Lorensŭ, D. H., --- Lourens, D. G., --- Lorenss, D. H., --- Lorens, Deĭvid Gerbert, --- Lārensu, Ḍi. Ec., --- Lourens, Dėvid Gerbert, --- לאורנס, ד. ה. --- לאורענס --- לורנס, ד״ה --- לורנס, ד.ה., --- לורנס, ד.ה..., --- Lawrence, David Herbert --- Lorensŭ --- Lorensŭ, D. H. --- Lourens, D. G. --- Lorenss, D. H. --- Lorens, Deĭvid Gerbert --- Lārensu, Ḍi. Ec. --- Lourens, Dėvid Gerbert --- Lawrence, David Herbert, - 1885-1930 - Criticism and interpretation --- Lawrence, D.H. --- Lawrence, David Herbert, - 1885-1930

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Erotic films --- Sex in motion pictures. --- Thrillers (Motion pictures) --- Thrillers (Motion pictures, television, etc.) --- History and criticism. --- History and criticism. --- History.

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' The first complete study of mainstream and nontraditional film since 1960 ' Indispensable to film students and general readers interested in this art form, 'Contemporary American Cinema 'culls together the writings of the world's leading film scholars to provide the first comprehensive introduction to postclassical American film. Heavily illustrated with more than 50 color and black-and-white stills, it takes a close look at all aspects of the genre, including influential movies, directors, producers, and actors. This unique and accessible resource includes two Tables of Contents, allowing readers to research chronologically or thematically. In addition, it includes a glossary of important terms, suggestions for further reading, sample essay questions, and a filmography. Subjects include:, Decline of the early studio system, Rise of American new-wave cinema, Parallel histories of independent and underground cinema, Black cinema--from the "blaxploitation" era of the 1970s to the 1990s, Full history of the American blockbuster, Uses and effects of new film making technologies, America's ever-changing audiences, Key genres and industry statistics

Motion pictures --- Film --- United States --- #SBIB:309H1320 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Cinéma --- United States of America

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The decade from 2000 to 2009 is framed, at one end, by the traumatic catastrophe of the 9/11 attacks on the World Trade Center and, at the other, by the election of the first African American president of the United States. In between, the United States and the world witnessed the rapid expansion of new media and the Internet, such natural disasters as Hurricane Katrina, political uprisings around the world, and a massive meltdown of world economies. Amid these crises and revolutions, American films responded in multiple ways, sometimes directly reflecting these turbulent times, and sometimes indirectly couching history in traditional genres and stories. In American Cinema of the 2000's, essays from ten top film scholars examine such popular series as the groundbreaking Matrix films and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat films like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11. Each essay demonstrates the complex ways in which American culture and American cinema are bound together in subtle and challenging ways.

Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Plots, themes, etc. --- History --- History and criticism --- United States --- 21st century --- Contemporary film history.