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Excavations (Archaeology) --- Architecture, Medieval --- Islamic architecture --- Islamic pottery --- Aswān (Egypt) --- Antiquities.
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Criminal law. Criminal procedure --- United States --- Police discretion --- Law enforcement --- Pouvoir discrétionnaire de la police --- Lois --- Application --- 351.74 <41> --- -Police discretion --- -Discretion, Police --- Administrative discretion --- Enforcement of law --- Criminal justice, Administration of --- Politiediensten. Openbare orde. Ordediensten--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -Politiediensten. Openbare orde. Ordediensten--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 351.74 <41> Politiediensten. Openbare orde. Ordediensten--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Pouvoir discrétionnaire de la police --- United States of America
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"Examines how events in the Cold War and post-Cold War periods shaped the intellectual projects of Perry Anderson and Immanuel Wallerstein"--
Wallerstein, Immanuel --- Anderson, Perry --- E-books --- Radical economics. --- Wallerstein, Immanuel Maurice, --- Anderson, Perry. --- Political and social views.
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"Examines how events in the Cold War and post-Cold War periods shaped the intellectual projects of Perry Anderson and Immanuel Wallerstein"--
Radical economics. --- Anderson, Perry --- Wallerstein, Immanuel Maurice, --- Anderson, Perry. --- Political and social views.
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"Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world"--
Wit and humor in art. --- Art, Modern --- Art and society --- Wit and humor --- Themes, motives. --- History --- Social aspects.
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chemie --- Chemistry --- 541 --- 539.1 --- Physical sciences --- Theoretical chemistry --- Nuclear physics. Atomic physics. Molecular physics --- 539.1 Nuclear physics. Atomic physics. Molecular physics --- 541 Theoretical chemistry
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541 --- 539.1 --- Chemistry --- Physical sciences --- Theoretical chemistry --- Nuclear physics. Atomic physics. Molecular physics --- Chemistry. --- 539.1 Nuclear physics. Atomic physics. Molecular physics --- 541 Theoretical chemistry --- Physical chemistry
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This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history's first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki's students were tasked with honouring the original Lumière film's basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
Labor in motion pictures. --- Labor. --- ART / Film & Video. --- Video, documentary, labour, global, art. --- Motion pictures --- Labor and laboring classes --- Manpower --- Work --- Working class
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This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
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This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
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