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Hopkins and Heidegger is a new exploration of Gerard Manley Hopkins' poetics through the work of Martin Heidegger. More radically, Brian Willems argues that the work of Hopkins does no less than propose solutions to a number of hitherto unresolved questions regarding Heidegger's later writings, vitalizing the concepts of both writers beyond their local contexts. Willems examines a number of cross-sections between the poetry and thought of Hopkins and the philosophy of Heidegger. While neither writer ever directly addressed the other's work - Hopkins died the year Heidegger was born, 1899, and Heidegger never turns his thoughts on poetry to the Victorians - a number of similarities between the two have been noted but never fleshed out. Willems' readings of these cross-sections are centred on Hopkins' concepts of 'inscape' and 'instress' and around Heidegger's reading of both appropriation (Ereignis) and the fourfold (das Geviert). This study will be of interest to scholars and postgraduates in both Victorian literature and Continental philosophy.
Literature --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- Theory --- Hopkins, Gerard Manley, --- Heidegger, Martin, --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Hopkins, G. M. --- Hopkins, Manley, --- Criticism and interpretation. --- Hopkins, Gerard Manley
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In this collection of essays, authors propose a temporal shift in (post)-Yugoslav studies. By taking into account select examples from literature, art, and culture, the volume questions a possibility of explaining the temporal structure underlying the theoretical and analytical concepts employed in understanding (post)-Yugoslav literature(s) and culture(s). Analyses undertaken in the essays showcase that the (post)-Yugoslav literary, artistic, and cultural practices do not only attempt to portray the demise of the state and the succeeding war between its former republics. Instead, the authors underscore that the critical (post)-Yugoslav studies task is to evince and critically reflect on and engage with the processes before and after the dissolution to capture the collapse itself.
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In this collection of essays, authors propose a temporal shift in (post)-Yugoslav studies. By taking into account select examples from literature, art, and culture, the volume questions a possibility of explaining the temporal structure underlying the theoretical and analytical concepts employed in understanding (post)-Yugoslav literature(s) and culture(s). Analyses undertaken in the essays showcase that the (post)-Yugoslav literary, artistic, and cultural practices do not only attempt to portray the demise of the state and the succeeding war between its former republics. Instead, the authors underscore that the critical (post)-Yugoslav studies task is to evince and critically reflect on and engage with the processes before and after the dissolution to capture the collapse itself.
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Telecommunication technology --- computers --- virtual reality --- cybercultuur --- Youtube --- nieuwe media --- film --- filmtheorie --- mediatheorie --- mediakunst --- video --- online video --- videokunst --- kunst --- fotografie --- sociale netwerken --- mobiele media --- 791.5 --- Webcasting. --- Information society.
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