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Iconography --- Art --- Architecture --- Sculpture --- Drawing --- installations [visual works] --- architecture [discipline] --- drawing [image-making] --- architectural elements --- sculpting --- brick [clay material] --- commissions [orders for works] --- Hohn, Till --- anno 1900-1999 --- Germany
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Iconography --- Art --- Sculpture --- assemblages [sculpture] --- installations [visual works] --- exoticism --- mythology [literary genre] --- primitivism [artistic concept] --- sculpting --- culturele diversiteit (kunst) --- Buthe, Michael --- anno 1900-1999 --- Germany
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Museology --- Art styles --- Iconography --- Art --- Sculpture --- Painting --- Photography --- History --- installations [visual works] --- happenings --- art [discipline] --- music [performing arts genre] --- painting [image-making] --- photography [process] --- art history --- museology --- performance art --- studios [work spaces] --- stained glass [visual works] --- sculpting --- art galleries [institutions] --- dances [performance events] --- kunstenaarsbeweging --- opstand --- zero --- Fluxus --- Höfer, Candida --- Graubner, Gotthard --- Broodthaers, Marcel --- Tinguely, Jean --- Immendorff, Jörg --- Andre, Carl --- Penck, A.R. --- Cunningham, Merce --- Katz, Benjamin --- Brüning, Peter --- Paik, Nam June --- Ernst, Max --- Rinke, Klaus --- Baumgartl, Monika --- Bezzola, Leonardo --- Boström, Jörg --- Morris, Robert --- Giese, Anna --- Polke, Sigmar --- Dumas, Marlene --- Beuys, Joseph --- Richter, Gerhard --- Byars, James L. --- Klein, Yves --- Rosenbach, Ulrike --- Cage, John --- Serra, Richard --- Sherman, Cindy --- Stockhausen, Karlheinz --- Mack, Heinz --- Piene, Otto --- Uecker, Günther --- Twombly, Cy --- Ruthenbeck, Reiner --- Klingelhöller, Harold --- Buthe, Michael --- Droese, Felix --- Gursky, Andreas --- Schneider, Gregor --- Trockel, Rosemarie --- Fritsch, Katharina --- Becher, Bernd und Hilla --- Genzken, Isa --- Mucha, Reinhard --- Palermo, Blinky --- Ruff, Thomas --- Wewerka, Stefhan --- Klapheck, Konrad --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1900-1999 --- anno 2000-2099
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The painter, photographer and commercial artist Anton Stankowski was born in 1906 in Gelsenkirchen, Germany, and now lives in Stuttgart. The basic concepts for his work developed out of the context of the 1920s. Lasting impressions were made on him especially by the New Objectivity, the Russian avant-garde, the Stijl movement, and the theoretical concepts of the Bauhaus. Stankowski was a dedicated proponent of the unity of free and applied art. For the field of commercial art, this approach logically entails the most demanding of artistic expectations. In advertising, he utterly renounces decorative elements and concentrates, in the visual realization of the information to be conveyed, on objective and compressed representation.In his photography, this approach leads to the nearing of reality in an immediate form of presentation befitting this medium. Stankowski's street scenes created at the end of the 1920s clearly reveal the demands he imposed in this respect. Stankowski is considered a predecessor of the "Züricher Konkrete," and of the "Neue Fotografie." These movements turned away from stylized artistic photography as it had been cultivated by conservative photographers since the beginning of this century.Commercial art and photography, however, are not the only fields in which Stankowski has become involved. He has increasingly dedicated himself to painting and has shown his works in a number of exhibitions since the 1970s. His earliest paintings date from about 1925.
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Banana, Charly ; Johannes, Ralf ; Beuys, Joseph ; Blume, Bernhard J. ; vom Bruch, Klaus ; Bunk, Holger ; Buthe, Michael ; Dahn, Walter ; Dokoupil, Jiri Georg ; Droese, Felix ; Ecker, Bogomir ; Graubner, Gotthard ; Günther, Ingo ; Heerich, Erwin ; Jung, Klaus ; Klapheck, Konrad ; Klauke, Jürgen ; Klein, Astrid ; Klingelhöller, Harald ; Kricke, Norbert ; Kunc, Milan ; Luy, Wolfgang ; Mahn, Inge ; Mields, Rune ; Mucha, Reinhard ; Odenbach, Marcel ; Paeffgen, C.O. ; Paik, Nam June ; Polke, Sigmar ; Richter, Gerhard ; Rosenbach, Ulrike ; Rückriem, Ulrich ; Ruthenbeck, Reiner ; Schütte, Thomas ; Schuler, Alf ; Sieverding, Katharina ; Mettig, Klaus ; Tannert, Volker, Uecker, Günther ; Wawrin, Isolde ; von Windheim, Dorothee
Art, German --- Art allemand --- Exhibitions. --- Expositions --- Cologne (Germany) --- Düsseldorf (Germany) --- Turin (Italy) --- Cologne (Allemagne) --- Düsseldorf (Allemagne) --- Turin (Italie) --- Exhibitions --- Exhibitions?UNAUTHORIZED --- Köln --- Düsseldorf --- Düsseldorf (Germany) --- Düsseldorf (Allemagne)
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Art --- Sculpture --- outdoor sculpture --- art [discipline] --- sculpting --- Kyncl, Frantisek --- anno 1900-1999 --- Czechoslovakia
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Didactics of the arts --- Art --- Film --- art [discipline] --- video art --- Paik, Nam June --- Gunther, Ingo --- Bernhard, Christine --- Bielicky, Michael --- Buhl Kytösalmi, Mervi --- Dekovic, Ivo --- Eßer, Elke --- Essers, Frank --- Herguera, Isabel --- Hoderlein, Stefan --- Kau, Annebarbe --- Mankel, Carmen --- Melitopoulos, Angela --- Na, Kyung-Ja --- Ramani, Gul --- Schröder, Kristine --- Teich, Gudrun --- Wende, Ricardo Peredo --- Hochschule für Bildende Künste [Düsseldorf] --- anno 1900-1999
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Art --- art [discipline] --- Berg, Margarete --- Boje, Inken --- Haehnle, Enne --- Hoderlein, Stefan --- Hübner, Julia --- Kottmann, Norbert --- Landschreiber, Anke --- Lausch, Stefan --- Märtin, Peter --- Pfisterer, Anke --- Ratzke, Frauke --- Stricker, Thomas --- Sutter, Peter --- Thyes, Myriam --- Weid, Heinrich --- Wischnewski, Jost --- Höller, Stefan --- anno 1900-1999 --- Germany
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Iconography --- Art --- Sculpture --- Photography --- assemblages [sculpture] --- installations [visual works] --- photography [process] --- motion pictures [visual works] --- sculpting --- human figures [visual works] --- artists' portraits --- Jansen, Bernd --- anno 1900-1999 --- anno 2000-2099 --- Germany
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