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Slaatellid, Mari

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Jill Johnston--cultural critic, auto/biographer, and lesbian icon--began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to discuss her life, her sexuality, and her politics. This book brings together thirty texts Johnston wrote for the Voice between 1960 and 1974, beginning with her early dance coverage and continuing though the time when, as she put it, the column moved "from the theatre of dance and happenings toward the theatre of my life." As Johnston abandoned an objective critical standpoint, her column interwove forms and formats, and political, literary, art-historical, and critical perspectives, taking turns and loops, reflecting its time and contexts--with the one constant being Johnston's unmistakable, witty, intimate voice. As a person and as a writer she pioneered a model that not only challenged notions of writerly appropriateness but also performed and created a new lesbian identity. This collection also includes texts by Ingrid Nyeboe, Johnston's long-time partner and spouse; Bruce Hainley; and Jennifer Krasinski. An appendix collects material related to a 1969 panel discussion organized by Johnston (featuring Andy Warhol, Ultra Violet, and Carolee Schneemann, among others) that gives this volume its title: "The disintegration of a critic : an analysis of Jill Johnston." --

Johnston, Jill --- Feminist art criticism --- Feminism and the arts --- Lesbian feminist theory --- Art critics --- Authors, American --- kunst --- kunsttheorie --- kunstkritiek --- feminisme --- LGBTQ+ --- homoseksualiteit --- lesbianisme --- twintigste eeuw --- Verenigde Staten --- cultuurfilosofie --- Johnston Jill --- 7.01 --- American authors --- Critics --- Lesbian feminism --- Lesbian feminist sociology --- Theory of lesbian feminism --- Feminist theory --- Arts and feminism --- Arts --- Art criticism --- Feminist criticism --- Philosophy

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Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years. The texts operate like vignettes to a larger story, and the images as unreliable illustrations to the narrative. However, the larger story never really is revealed. Each individual text, each single work, articulates itself by means of an intense focus. It is as if we were suspended in a continual zooming motion, as if the artist and author wanted to tell and show it all. But alas, such is life under the microscope: always larger-than-life, but at the wrong scale at a time driven by individual interests, self-optimization, and egos that stage themselves simultaneously as victims and disruptors. Peter Wächtler works in a variety of media: bronze, ceramics, drawings and video. But in many ways "stories" could be described as his main artistic material. His works often evoke a narration, with animals or human figures in animated states. They are made in ways that use and adapt elements of fiction and folklore, relating to specific traditions and common tales, and materialize the ways of telling a story as much as the story itself.

kunst --- 7.071 WAECHTLER --- 76.071 WAECHTLER --- 741.071 WAECHTLER --- Wächtler Peter --- kunst en literatuur --- literatuur --- Duitsland --- tekenkunst --- eenentwintigste eeuw --- Wächtler, Peter, --- hedendaagse kunst. --- Wächtler, Peter. --- hedendaagse kunst --- Wächtler, Peter

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Vardag, Nadim

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This book can be read as an inventory of the trajectory that Kriemann pursued in relation to archaeology, to the artefact, to the image of the individual at work and the idea of the desert as a symbol of the modern desire to create an empty slate, a tabula rasa. Material from Agatha Christie's photographic archives is related to photographs that Kriemann produced of the Syrian Desert and archaeological sites in Mesopotamia. Exhibitions at: Künstlerhaus, Stuttgart and KIOSK Gent.

Kriemann, Susanne --- kunst --- eenentwintigste eeuw --- Kriemann Susanne --- Midden-Oosten --- archeologie --- opgravingen --- artists' books --- kunstenaarsboeken --- fotografie --- kunst en archeologie --- Christie Agatha --- Weissenhofsiedlung --- Duitsland --- 7.071 KRIEMANN --- Exhibitions