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On the music front : socialist-realist discourse on music in poland, 1948 to 1955
Authors: ---
ISBN: 3631669429 9783631669426 Year: 2020 Publisher: Berlin : Peter Lang,

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On the Music Front. Socialist-Realist Discourse on Music in Poland, 1948?1955 is a monograph on one of the key aspects of Poland?s musical culture during the Stalinist period. Among the many texts analysed in this book are addresses given by leading party officials, minutes of musical meetings and conferences, talks before informal?get-to-know-the-music? concerts, and papers on aesthetics and music history. Detailed discussion is devoted to the musicological works of Zofia Lissa, to productions of Stanis?aw Moniuszko?s operas directed by Leon Schiller, to museum exhibitions on music history, and to the mega-production of the Polish Socialist-Realist film, Chopin?s Youth, directed by Aleksander Ford.


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Sounds of war and peace : soundscapes of European cities in 1945
Authors: ---
ISBN: 3631753462 3631753365 3631753470 Year: 2018 Publisher: Berlin : Peter Lang,

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This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants' forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space.


Book
Sounds of war and peace : soundscapes of European cities in 1945
Authors: ---
ISBN: 9783631753361 Year: 2018 Publisher: Berlin ; New York : Peter Lang,

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This book vividly evokes for the reader the sound world of a number of European cities in the last year of the Second World War. It allows the reader to «hear» elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experiences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space


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Böse Macht Musik : Zur Ästhetik des Bösen in der Musik

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Music

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