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The red-ink names that decorate the Winchester manuscript of Malory's Morte Darthur are striking; yet until now, no-one has asked why the rubrication exists. This book explores the uniqueness and thematic significance of the physical layout of the Morte in its manuscript context, arguing that the layout suggests, and the correlations between manuscript design and narrative theme confirm, that the striking arrangement is likely to have been the product of authorial design rather than something unusual dreamed up by patron, scribe, reader, or printer.
The introduction offersa thorough account of not only the textual tradition of the Morte, but also the ways in which scholarship to date has not done enough with the manuscript contexts of Malory's Arthuriad. The book then goes on to establish the singularity and likely provenance of Winchester's rubrication of names. In the second half of the study the author elucidates the narrative significance of this rubrication pattern, outlining striking connections between manuscript layout and major narrative events, characters, and themes. He argues that the manuscript mise-en-page underscores Malory's interest in human character and knighthood, creating a memorializing function similar to the many inscribed tombs that dominate the landscape of the Morte's narrative pages. In short, Winchester's design creates a memorializing tomb for Arthurian chivalry.
K.S. Whetter is Professor of English, Acadia University.
Rubrication --- Printing --- Arthurian romances --- Romances, English --- Manuscripts, English (Middle) --- 091.14:655.26 --- 091 MALORY, THOMAS --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Printing, Practical --- Typography --- Graphic arts --- Color printing --- 091 MALORY, THOMAS Handschriftenkunde. Handschriftencatalogi--MALORY, THOMAS --- Handschriftenkunde. Handschriftencatalogi--MALORY, THOMAS --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- History --- History and criticism. --- Malory, Thomas, --- Mėlori, Tomas, --- Manuscripts. --- Criticism and interpretation. --- History and criticism --- English studies. --- Morte Darthur. --- Morte. --- design. --- document preservation. --- manuscript. --- medieval history. --- middle ages. --- museum.
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The motif of death and dying traced through over a thousand years of the English Arthurian tradition. It is arguably the tragic end to Arthur's kingdom which gives the myth its exceptional resonance and power. The essays in this volume explore the presentation of death and dying in Arthurian literature and film produced in England and America from the middle ages to the modern day. Authors, texts and topics covered include Geoffrey of Monmouth, the chronicle tradition, and the alliterative 'Morte Arthure'; 'Gawain and the Green Knight', 'Ywain and Gawain', the stanzaic 'Morte Arthur', and Malory's 'Morte Darthur'; Tennyson's 'Idylls', Pyle's retelling of the myth for American children, David Jones, T.H. White, Donald Barthelme, Rosalind Miles and Parke Godwin. Featured films include Knight Rider, Excalibur, First Knight, and King Arthur. CONTRIBUTORS: Sian Echard, Edward Donald Kennedy, Karen Cherewatuk, Michael W. Twomey, K. S. Whetter, Thomas Crofts, Michael Wenthe, Lisa Robeson, Cory James Rushton, Janina P. Traxler, James Noble, Julie Nelson Couch, Samantha Rayner, Kevin J. Harty.
Arthurian romances --- Death in literature. --- Arthurian romances in motion pictures. --- Death in motion pictures. --- Motion pictures --- History and criticism. --- Arthur, --- Death and burial --- Legends --- Arturus, --- Artur, --- Arturo, --- Artus, --- Artù, --- Artús, --- Артур, --- Arzhur, --- Artuš, --- Αρθούρος, --- Arthouros, --- Arthur Pendragon --- Pendragon, Arthur --- Adha, --- 아서, --- 아서 왕 --- Asŏ, --- Asŏ Wang --- ארתור, --- Arthur Gernow --- Arthurus, --- Arturius, --- Arturs, --- Artūras, --- Artúr, --- アーサー, --- アーサー王 --- Āsā-ō --- Āsā, --- Èrthu, --- Arthwys, --- Arthurian Legend. --- Collective Memory. --- Death. --- Dying. --- English Tradition. --- Ideological Tensions. --- Kingdom. --- Middle Ages. --- Myth. --- Tragic End.
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New and fresh assessments of Malory's Le Morte d'Arthur.
Arthurian romances --- History and criticism. --- Malory, Thomas, --- Arthur, --- Criticism and interpretation. --- In literature.
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This issue offers stimulating studies of a wide range of Arthurian texts and authors, from the Middle Ages to the nineteenth century, among which is the first winner of the Derek Brewer Essay Prize, awarded to a fascinating exploration of Ragnelle's strangeness in 'The Weddyng of Syr Gawen and Dame Ragnelle'. It includes an exploration of Irish and Welsh cognates and possible sources for Merlin; Bakhtinian analysis of Geoffrey of Monmouth's playful discourse; and an account of the transmission of Geoffrey's text into Old Icelandic. In the Middle English tradition, there is an investigation of material Arthuriana in 'Sir Gawain and the Green Knight', followed by explorations of shame in Malory's 'Morte Darthur'. The post-medieval articles see one paper devoted to the paratexts of sixteenth-century French Arthurian publishers; one to eighteenth-century Arthuriana; and one to a range of nineteenth-century rewritings of the virginity of Galahad and Percival's Sister. Two Notes close this volume: one on Geoffrey's 'Vita Merlini' and a possible Irish source, and one on a likely source for Malory's linking of Trystram with the Book of Hunting and Hawking in an early form of 'The Book of St Albans'.
Arthurian romances --- History and criticism. --- Arthur, --- In literature. --- Derek Brewer Essay Prize. --- Geoffrey of Monmouth. --- Malory. --- Merlin. --- Middle Ages. --- Morte Darthur. --- Nineteenth Century. --- Ragnelle. --- Sir Gawain and the Green Knight. --- The Book of St Albans. --- The Weddyng of Syr Gawen and Dame Ragnelle. --- Vita Merlini.
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