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Sociology of culture --- Sociology of the family. Sociology of sexuality --- Fiction --- Thematology --- Feminism --- Literature --- Popular culture --- Second feminist wave --- Women's literature --- Book --- Third feminist wave

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Feminist theory. --- Feminism --- Théorie féministe --- Féminisme --- History --- Histoire

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Literary semiotics --- Film --- Film adaptations --- Adaptations cinématographiques --- History and criticism. --- Histoire et critique --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Adaptations cinématographiques --- History and criticism

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Motion pictures and literature --- Film adaptations --- 82:791.43 --- Film adaptations. --- #KVHA:Film --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- Literatuur en film --- Adaptations --- Motion pictures and literature. --- 82:791.43 Literatuur en film --- Literary semiotics --- Film --- Cinéma et littérature --- Adaptations cinematographiques et televisees

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In this book, leading international and emerging scholars consider the mixed critical responses to Lena Dunham’s TV series Girls and reflect on its significance to contemporary debates about postfeminist popular cultures in a post-recession context. The series features both familiar and innovative depictions of young women and men in contemporary America that invites comparisons withSex and the City. It aims for a refreshed, authentic expression of postfeminist femininity that eschews the glamour and aspirational fantasies spawned by its predecessor. The authors of this volume discuss the contemporary scholarship on Girls, from its representation of post-millennial gender politics to revulsion and repugnance at depictions of the messiness and imperfections of sex, embodiment, and social interactions. Topics covered by the chapters include Dunham’s privileged role as author/auteur/actor, sexuality, body consciousness, millennial gender identities, the politics of representation, neoliberalism, and post-recession society. This book provides diverse and provocative critical responses to the show and to wider social and media contexts, and contributes to a new generation of feminist scholarship with a powerful concluding reflection from Rosalind Gill. This work will appeal to those interested in feminist theory, identity politics, popular culture, and media.

Culture --- United States --- Communication. --- Motion pictures and television. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- Film and Television Studies. --- Gender Studies. --- Cultural Theory. --- Media Studies. --- American Culture. --- Study and teaching. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Expression, Gender --- Social theory --- Moving-pictures and television --- Television and motion pictures --- Communication, Primitive --- Mass communication --- Cultural studies --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social sciences --- Television --- Sociology --- Psychological aspects --- Culture-Study and teaching. --- United States-Study and teaching. --- Screen Studies. --- Culture—Study and teaching. --- United States—Study and teaching. --- Comunicación --- Mujeres en la televisión