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In this work, Bridgette Wessels offers a unique insight into the ways in which core public institutions and powerful organizations develop digital communications and services within the public realm. The book draws on her ethnographic research with the London Metropolitan Police Service which, working in a socially, culturally and demographically complex city, offers a highly revealing case study of technology and human processes.
Police communication systems --- Digital communications --- Police-community relations --- Communications, Police --- Police radio --- Communication in police administration --- Public safety radio service --- Telecommunication systems --- Communications, Digital --- Digital transmission --- Pulse communication --- Digital electronics --- Pulse techniques (Electronics) --- Telecommunication --- Digital media --- Signal processing --- Digital techniques --- Police communication systems - Great Britain --- Digital communications - Great Britain --- Police-community relations - Great Britain
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Explores how the internet is shaped and embedded within society, fostering new social worlds and ways of talking by using a wide range of examples to examine economic, political and cultural issues.
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Communication policy --- Intercultural communication --- Mass media policy --- Mass media --- Public interest --- Political aspects
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The on-going constitutionalization of Europe has led to various changes in media and communications, opening up areas of debate regarding the role of traditional and new media in developing a specific European public sphere as part of the wider European Project. This timely volume addresses the little understood relationship between old and new media, communications policy at the European level, issues of regulation and competition within the EU, the role of the European Parliament in media policymaking, and the questions emerging about the sustainability of traditional public service broadcas
Mass media --- Mass media policy --- Communication policy --- Public interest --- Intercultural communication --- Political aspects
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While there is a lot of talk about how we now live in a knowledge society, the reality has been less impressive: We have yet to truly transition to a knowledge society - in part, this book argues, because discussion mostly focuses on a knowledge economy and information society rather than on ways to mobilise to create an actual knowledge society. That all may change, however, with the rise of open data and big data. This book considers the role of the open data movement in fostering transformation, showing that at the heart of any successful mobilisation will be an emerging open data ecosystem and new ways for societal actors to effectively produce and use data.
Information society --- Social aspects. --- Sociology --- Information superhighway --- Media Studies. --- 05.20 communication and society. --- Open Data --- Informationsgesellschaft --- Open access, data, knowledge, open data movement. --- Kommunikationsgesellschaft --- Wissensgesellschaft --- Mediengesellschaft --- Global Village --- Globales Dorf --- Gesellschaft --- Nachindustrielle Gesellschaft --- Risikogesellschaft --- Open Data Bewegung --- Offene Daten --- Open Science --- Open Access --- Linked Data --- Open Data. --- Informationsgesellschaft.
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Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics. But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences. This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: 'personal film journeys', five types of audience formations and five geographies of film provision. A major challenge of audience research is how to capture the richness of people's social and cultural engagement with film. To achieve this, the book uses an innovative mixed-methods research and computational ontology. It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences.
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