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The principle of the lesser evil--the acceptability of pursuing one exceptional course of action in order to prevent a greater injustice--has long been a cornerstone of Western ethical philosophy. From its roots in classical ethics and Christian theology, to Hannah Arendt's exploration of the work of the Jewish Councils during the Nazi regime, the author explores its development in three key transformations of the problem: the defining intervention of Medecins Sans Frontisres in mid-1980s in Ethiopia; the separation wall in Israel-Palestine; and international and human rights law in Bosnia, Gaza and Iraq. Drawing on a wealth of new research, the author charts the latest manifestation of this age-old idea. In doing so he shows how military and political intervention acquired a new humanitarian acceptability and legality in the late twentieth and early twenty-first centuries.--Publisher description
Political ethics --- Political violence --- Multinational armed forces --- International relations --- Morale politique --- Relations internationales --- Moral and ethical aspects. --- Moral and ethical aspects --- Aspect moral
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Groundbreaking exposé of Israel’s terrifying reconceptualization of geopolitics in the Occupied Territories and beyond. Hollow Land is a groundbreaking exploration of the political space created by Israel’s colonial occupation. In this journey from the deep subterranean spaces of the West Bank and Gaza to their militarized airspace, Weizman unravels Israel’s mechanisms of control and its transformation of the Occupied Territories into a theoretically constructed artifice, in which natural and built features function as the weapons and ammunition with which the conflict is waged. Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defense during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare. In exploring Israel’s methods to transform the landscape itself into a tool of total domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.
Land settlement --- Israelis --- Colonisation intérieure --- Israéliens --- Colonization --- Colonisation --- 911.3:32 --- 355.4 --- 711.4 <569.4> --- 72.036 <569.4> --- 72.036 <569.4> Moderne bouwkunst. Architectuur van de 20e eeuw--Israël --- Moderne bouwkunst. Architectuur van de 20e eeuw--Israël --- 711.4 <569.4> Gemeentelijke planologie. Stadsplanning. Stedenbouw--Israël --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Israël --- 355.4 Oorlogvoering. Tactiek en strategie. Oorlogsoperaties. Militaire operaties. Operatieterrein --- Oorlogvoering. Tactiek en strategie. Oorlogsoperaties. Militaire operaties. Operatieterrein --- 911.3:32 Geopolitiek. Politieke geografie --- Geopolitiek. Politieke geografie --- Colonisation intérieure --- Israéliens
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In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
Forensic sciences. --- Forensic anthropology. --- Human rights. --- Architecture --- Political aspects. --- wars --- human geography --- research [function] --- Polemology --- Human rights --- architecture [discipline] --- Social geography --- Legal medicine --- forensic science --- Forensic Architecture [London] --- Weizman, Eyal --- Criminalistique --- Anthropologie légale --- Droits de l'homme (Droit international) --- Aspect politique --- Forensic sciences --- Forensic anthropology --- eenentwintigste eeuw --- film --- fotografie --- documentaire fotografie --- luchtfotografie --- nieuwe media --- kunst --- kunst en politiek --- kunst en activisme --- architectuur --- Forensic Architecture --- Weizman Eyal --- Palestina --- Pakistan --- landschap --- landschapsfotografie --- oorlog --- cartografie --- 130.2 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Basic rights --- Civil rights (International law) --- Rights, Human --- Rights of man --- Human security --- Transitional justice --- Truth commissions --- Anthropology, Forensic --- Medicolegal anthropology --- Physical anthropology --- Criminalistics --- Forensic science --- Science --- Criminal investigation --- Political aspects --- Design and construction --- Law and legislation --- 7.071 FORENSIC ARCHITECTURE --- 711.4:343.9 --- Anthropology --- Architecture, Primitive --- genocide --- mensenrechten
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urban planning --- geopolitics --- #breakthecanon --- Gaza --- Israel --- Palestine
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Lors de la réoccupation des villes de Palestine au printemps 2002, l'armée israélienne a utilisé une tactique inédite : au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode, « conceptualisée » sous le nom de « géométrie inversée » par des généraux qui aiment à citer Debord, Deleuze et Guattari ou Derrida, représente un tournant postmoderne dans la guerre des villes. Les territoires occupés sont ainsi devenus un laboratoire spatial pour de nouvelles techniques d'attaque, d'occupation et de contrôle de populations, qui sont ensuite exportées aux frontières où se livre la guerre globale. Et inversement, la réflexion sur l'urbanisme est largement passée dans des centres de recherche où des militaires travaillent sur l'art de construire / détruire en s'appuyant sur de pseudo-concepts philosophiques. Mais Eyal Weizman montre que ces idées nouvelles – substrat d'une querelle des Anciens et des Modernes dans l'armée israélienne – n'ont pas été étrangères au fiasco libanais de l'été 2006.
Arab-Israeli conflict. --- Israelis --- Colonization --- Israel --- Military policy.
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From the tunnels of Gaza to the militarized airspace of the Occupied Territories, Eyal Weizman unravels Israel’s mechanisms of control and its transformation of Palestinian towns, villages and roads into an artifice where all natural and built features serve military ends. Weizman traces the development of this strategy, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defence during the 1973 war, through the planning and architecture of the settlements, to the contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations. Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.
Land settlement --- Israelis --- City planning --- Urban warfare --- Geopolitics --- Colonization --- Government policy
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[2014] Lors de la réoccupation des villes de Palestine au printemps 2002, l’armée israélienne a utilisé une tactique inédite : au lieu de progresser dans les rues tortueuses des vieux quartiers ou des camps de réfugiés, les soldats passaient de maison en maison, à travers murs et planchers, évitant ainsi de servir de cibles aux résistants palestiniens. Cette méthode, «conceptualisée » sous le nom de « géométrie inversée » par des généraux qui aiment à citer Debord, Deleuze et Guattari ou Derrida, représente un tournant postmoderne dans la guerre des villes. Les territoires occupés sont ainsi devenus un laboratoire spatial pour de nouvelles techniques d’attaque, d’occupation et de contrôle de populations, qui sont ensuite exportées aux frontières où se livre la guerre globale. Et inversement, la réflexion sur l’urbanisme est largement passée dans des centres de recherche où des militaires travaillent sur l’art de construire / détruire en s’appuyant sur de pseudo-concepts philosophiques. Mais Eyal Weizman montre que ces idées nouvelles – substrat d’une querelle des Anciens et des Modernes dans l’armée israélienne – n’ont pas été étrangères au fiasco libanais de l’été 2006.
Guerre urbaine --- Conflit israélo-arabe --- Architecture --- Guerre urbaine. --- Paix --- Aspect politique. --- Aspect politique --- Politique gouvernementale --- Israël --- Territoires occupés --- Politique militaire. --- Urban warfare --- Israel-Arab War, 1967 --- Architecture et guerre --- Conflit israélo-arabe, 1967 --- Occupied territories. --- Occupied territories --- Conflit --- Politique de l'urbanisme --- Utopie urbaine --- Démolition --- Cisjordanie --- Conflit israélo-arabe, 1967 --- Territoires occupés --- #SBIB:328H512 --- #SBIB:327.6H01 --- Instellingen en beleid: Midden-Oosten / landen in het Midden-Oosten --- Internationale en diplomatieke relaties: specifieke conflicten --- Arab-Israeli conflict --- Architecture and war --- Conflit israélo-arabe --- Histoire de l'urbanisme --- Architecture militaire --- Rapport intérieur-extérieur --- Déconstructivisme --- Palestine --- Paix. --- Territoires occupés. --- Israël --- Territoires occupés.
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"Increasingly artists have become political activists. Their work has taken on the shape of a criminal investigator. Where does this turn toward forensics come from? How do we understand it as a aesthetic practice? The words investigative and aesthetics seem like an uneasy match. But this book claims that expanded aesthetic practices can powerfully reshape our approach to the question of truth. Shifts in technology and new ways of thinking together offer a means of searching for facts and understanding them anew. This book proposes that the current period is defined by new forms of "aesthetic power" composed both by sensing, detection and prediction and the torrential proliferation of images and data. To evade and oppose this form of state-corporate domination we can learn to join the dots between traces within our interwoven digital, built and natural environments. Investigative aesthetics can also enable new collaborative forms of verification. Rather than rely on official expertise it calls for an open process that combines the perspectives of communities exposed to state or corporate violence with those of artists, activists and scientists. This new practice takes place equally in the field, the art studio as in the scientific laboratory, online and in the streets, as it strives towards the construction of a new "common sensing"--
Aesthetics, Modern --- Art --- Esthétique --- Political aspects --- Aspect politique --- kunst --- architectuur --- kunsttheorie --- kunst en politiek --- kunst en maatschappij --- activisme --- eenentwintigste eeuw --- 7.01 --- Aesthetics --- Art and politics --- Politics and art --- History --- Political aspects.
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