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Altmejd, David ; Bas, Hernan ; Doig, Peter ; Donachie, Kaye ; Henneken, Uwe ; Kilimnik, Karen ; Kurland, Justine ; Opie, Catherine ; Orr, Christopher ; Owens, Laura ; Periton, Simon ; Thorpe, David ; Ward, Christian
kunst --- 7.039 --- Ward Christian --- Thorpe David --- Periton Simon --- Owens Laura --- Orr Christopher --- Opie Catherine --- Kurland Justine --- Kilimnik Karen --- Henneken Uwe --- Donachie Kaye --- Doig Peter --- Bas Herman --- eenentwintigste eeuw --- romantiek --- Altmejd David --- Exhibitions
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"Thus art is not an object, but an experience." This volume collects the work of a generation of international "op artists" who were fascinated by the physical laws of light and optics, visual phenomena and the principles of perception. Op art, also known as optical art, is a style of visual art that makes use of optical illusions. "Optical art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing." Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.
7.038 --- Beeldende kunst ; schilderkunst ; Op Art ; geschiedenis --- Op Art ; Optical Art --- Agam Yaacov --- Alviani Getulio --- Anceschi Giovanni --- Anuszkiewicz Richard --- Apollonio Marina --- Biasi Alberto --- Boriani Davide --- Boto Martha --- Bury Pol --- Böhm Hartmut --- Colombo Gianni --- Costa Toni --- Cruz-Diez Carlos --- Culbert Bill --- Dadamaino --- Demarco Hugo --- Devecchi Gabriele --- Duarte Angel --- Grignani Franco --- Landi Edoardo --- Le Parc Julio --- Luther Adolf --- Mari Enzo --- Mavignier Almir --- Megert Christian --- Morellet François --- Philipp Helga --- Piene Otto --- Riley Bridget --- Scheggi Paolo --- Soto Jesus Rafael --- Stein Joël --- Tomasello Luis --- Uecker Günther --- Vasarely Victor --- Wilding Ludwig --- Zehringer Walter --- beeldhouwkunst --- installaties --- kunst --- op art --- schilderkunst --- twintigste eeuw --- von Graevenitz Gerhard --- 705.8 --- Kunstgeschiedenis ; 1950 - 2000 --- kunstgeschiedenis, 20e eeuw --- Exhibitions --- Art --- Modern [style or period] --- moderne kunst --- anno 1900-1999 --- Optical art --- Kinetic art --- Op art --- Art cinétique
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Art --- Sculpture --- installations [visual works] --- art [discipline] --- sculpting --- Kienholz, Edward --- United States of America
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natuur --- landschappen --- Indianen --- etnische kunst --- modernisme --- industrie --- schilderkunst --- Carr, Emily --- Thomson, Tom --- Harris, Lawren --- 1910 - 1940 --- 20ste eeuw --- Canada
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Art styles --- Art --- Painting --- Graphic arts --- video recordings [physical artifacts] --- installations [visual works] --- painting [image-making] --- sound [acoustics] --- Minimal --- graphic arts --- Creed, Martin --- Paik, Nam June --- Hein, Jeppe --- Tuymans, Luc --- Kippenberger, Martin --- Brüggemann, Stefan --- Finch, Spencer --- Kozlov, Christine --- Beuys, Joseph --- Byars, James L. --- Tuerlinckx, Joëlle --- Friedman, Tom --- Baldessari, John --- Barry, Robert --- Floyer, Ceal --- Sander, Karin --- Zaugg, Remy --- Knoebel, Imi --- Kosuth, Joseph --- Art & Language --- anno 1900-1999 --- anno 2000-2099
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Art --- Sculpture --- art [discipline] --- performance art --- sculpting --- Byars, James L. --- United States of America
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Sculpture --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- copper [color] --- gold [color] --- silver [color] --- human figures [visual works] --- Futurist
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Art --- assemblages [sculpture] --- installations [visual works] --- painting [image-making] --- migration [function] --- humor --- video art --- performance art --- photocollages [photographic compositions] --- political art --- globalization --- narrative art --- gender [sociological concept] --- Haerizadeh, Ramin --- Haerizadeh, Rokni --- Rahmanian, Hesam
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