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The poet without a name : Gray's elegy and the problem of history
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ISBN: 0585186677 9780585186672 0809316528 9780809316526 Year: 1991 Publisher: Carbondale : Southern Illinois University Press,


Book
The music of thought in the poetry of George Oppen and William Bronk
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ISBN: 1587298503 9781587298509 9781587297816 1587297817 Year: 2009 Publisher: Iowa City : University of Iowa Press,

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From his careful readings of George Oppen's and William Bronk's poetry to his fascinating examination of the letters they exchanged, Weinfield provides important aesthetic, epistemological, and historical insights into their poetry and poetic careers. In bringing together for the first time the work of two of the most important poets of the postwar generation, The Music of Thought not only illuminates their poetry but also raises important questions about American literary history and the categories in terms of which it has generally been interpreted.


Book
The blank-verse tradition from Milton to Stevens : freethinking and the crisis of modernity
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ISBN: 9781139517126 1139517120 9781139518987 1139518984 9781139178921 113917892X 9781107025400 1107025400 9781139515474 1139515470 9781107507838 1107232104 1139508377 1280774630 9786613685001 1139518054 1139514555 1107507839 Year: 2012 Publisher: Cambridge : Cambridge University Press,

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Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art.


Digital
The blank-verse tradition from Milton to Stevens : freethinking and the crisis of modernity
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ISBN: 9781139178921 Year: 2012 Publisher: Cambridge Cambridge University Press

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Theogony and Works and days
Authors: --- ---
ISBN: 0472099329 0472069322 9780472099320 9780472069323 Year: 2006 Publisher: Ann Arbor University of Michigan Press

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"Written in the late eighth century BC by Hesiod, one of the oldest known of Greek poets, Theogony and Works and Days represent the earliest account of the origin of the Greek gods, and an invaluable compendium of advice for leading a moral life, both offering unique insights into archaic Greek society ... This translation contains a general introduction, a translator's introduction, notes, and a glossary."--Publisher description.

Collected poems : a bilingual edition
Authors: ---
ISBN: 1283279681 9786613279682 0520948114 9780520948112 9780520081888 0520081889 9780520203310 0520203313 0520268148 9780520268142 0520081889 0520203313 9780520268142 9781283279680 6613279684 Year: 1994 Publisher: Berkeley : University of California Press,

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Stéphane Mallarmé (1842-1898) is one of the giants of nineteenth-century French poetry. Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valéry, W.B. Yeats, and Jacques Derrida. From his early twenties until the time of his death, Mallarmé produced poems of astonishing originality and beauty, many of which have become classics. In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All the poems that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarmé's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals, which appear en face. Whether writing in verse or prose, or inventing an altogether new genre-as he did in the amazing "Coup de Dés"-Mallarmé was a poet of both supreme artistry and great difficulty. To illuminate Mallarmé's poetry for twentieth-century readers, Weinfield provides an extensive commentary that is itself an important work of criticism. He sets each poem in the context of the work as a whole and defines the poems' major symbols. Also included are an introduction and a bibliography. Publication of this collection is a major literary event in the English-speaking world: here at last is the work of a major figure, masterfully translated.

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