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Marginalia --- Paratext --- Authors, English --- Politics and literature --- English authors --- Books --- Marginal notes --- Notes, Marginal --- Political aspects --- History --- Political and social views&delete& --- Sources --- Politics and literature. --- Political and social views --- Political and social views. --- 1700-1899. --- Great Britain.
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This book examines the reception of British Romanticism in India and East Asia (including Japan, China, Korea and Taiwan). Building on recent scholarship on 'Global Romanticism', this book develops a model for a more reciprocal and cross-cultural model of scholarship, in which 'Asian Romanticism' is recognised as an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Nehru, Ōe, Sōseki, Tagore and Zhimo). In addition, this study challenges Eurocentric assumptions about literary reception and periodisation, focusing on how, from the early nineteenth century, British Romanticism was creatively adapted and transformed by writers in a number of Asian nations.
Romanticism. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Comparative literature. --- Oriental literature. --- Ethnology-Asia. --- British literature. --- Comparative Literature. --- Asian Literature. --- Asian Culture. --- British and Irish Literature. --- Asian literature --- Comparative literature --- Literature, Comparative --- Philology --- History and criticism
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This book examines the reception of British Romanticism in India and East Asia (including Japan, China, Korea and Taiwan). Building on recent scholarship on 'Global Romanticism', this book develops a model for a more reciprocal and cross-cultural model of scholarship, in which 'Asian Romanticism' is recognised as an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Nehru, Ōe, Sōseki, Tagore and Zhimo). In addition, this study challenges Eurocentric assumptions about literary reception and periodisation, focusing on how, from the early nineteenth century, British Romanticism was creatively adapted and transformed by writers in a number of Asian nations.
Ethnology. Cultural anthropology --- Comparative literature --- English literature --- Asian literature --- History of civilization --- niet-westerse cultuur --- etnologie --- literatuur --- Engelse literatuur --- Shimazaki Tóson --- Linnaeus, Carolus --- Shakespeare, William --- Keats, John --- Nogami, Yaeko --- Empson, William --- Tezuka, Osama --- Xu, Zhumo --- Mu, Yang --- Sōseki, Natsume --- Tsubouchi, Shōyō --- Tagore, Rabindranath --- Wordsworth, William --- Oë, Kenzaburo --- Austen, Jane --- Shelley, Mary --- Blake, William --- Hearn, Lafcadio --- Byron [Lord] --- Great Britain --- Ireland --- East Asia --- China --- North Korea --- South Korea --- Japan --- Taiwan --- India --- Asia
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"The essays in this collection reconsider Roland Barthes as a crucial figure in intermedia studies, arguing that the concepts and forms of analysis he pioneered are of continuing importance for students and scholars working in the field. These essays utilize an interdisciplinary methodology, drawing on Barthes' own intermedial critical practice, to examine the multiple relationships between art, literature, music and performance and across different languages. The collection places Barthes' writing in critical dialogue with other theorists, including Gilles Deleuze and Felix Guattari, Dick Higgins and Emmanuel Levinas, investigating the work of figures as varied as Andre Breton, Giordano Bruno, Alain Cavalier, Alfred Hitchcock, Marcel Schwob, W. G. Sebald, Steven Spielberg, Yoko Tawada and Leo Tolstoi. The collection demonstrates that Barthes' intermedial critical and theoretical practice provides a means of challenging fixed critical narratives and exploring crucial intermedial issues, including how narrative crosses media, the close relationship between image and text throughout history, and how twentieth-century consumer capitalist culture transformed the relationship between image and text"--
Art and literature --- Music and literature --- Barthes, Roland --- Influence.
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Ethnology. Cultural anthropology --- Comparative literature --- English literature --- Asian literature --- History of civilization --- niet-westerse cultuur --- etnologie --- literatuur --- Engelse literatuur --- Shimazaki Tóson --- Linnaeus, Carolus --- Shakespeare, William --- Keats, John --- Nogami, Yaeko --- Empson, William --- Tezuka, Osama --- Xu, Zhumo --- Mu, Yang --- Sōseki, Natsume --- Tsubouchi, Shōyō --- Tagore, Rabindranath --- Wordsworth, William --- Oë, Kenzaburo --- Austen, Jane --- Shelley, Mary --- Blake, William --- Hearn, Lafcadio --- Byron [Lord] --- Great Britain --- Ireland --- East Asia --- China --- North Korea --- South Korea --- Japan --- Taiwan --- India --- Asia
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Bioengineering --- Soil-binding plants --- Soil stabilization
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Mokṣa --- Philosophy, Indic --- Rāmakaṇṭha, - Bhaṭṭa, - Paramokṣanirāsakārikāvr̥tti
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