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Group identity --- National characteristics, British --- History --- 942.08 --- 942.09 --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- British national characteristics --- 942.09 Geschiedenis van Engeland--(1945-heden) --- Geschiedenis van Engeland--(1945-heden) --- 942.08 Geschiedenis van Engeland--(1837-1945) --- Geschiedenis van Engeland--(1837-1945) --- Great Britain --- Civilization

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Examines the definition and redefinition of Britishness since the 1870s and looks at how Britishness has adapted to changing circumstances over time.

National characteristics, British --- Group identity --- British national characteristics --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- History --- Great Britain --- Civilization

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This book explores the life of Huw T. Edwards, leading figure in Welsh society in the mid-twentieth century. He was a member of the British Labour Party but supported Welsh nationalism, and his life allows exploration of themes of politics and national identity in a period seen as leading to the break-up of Britain.

Labor union members --- Politicians --- Edwards, Huw T. --- Plaid Cymru --- Wales Labour Party --- Great Britain. --- Wales --- Politics and government --- Socialism --- Labor laws and legislation

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This collection is a study of the value of craft as it can be understood within the study and practice of animation. The book reconsiders the position of craft, which is often understood as inferior to ‘art’, with a particular focus on questions of labour in animation production and gendered practices. The notion of craft has been widely investigated in a number of areas including art, design and textiles, but despite the fact that a wide range of animators use craft-based techniques, the value of craft has not been interrogated in this context until now. Seeking to address such a gap in the literature, this collection considers the concept of craft through a range of varying case studies. Chapters include studies on experimental animation, computer animation, trauma and memory, children’s animation and silhouette animation among others. The Crafty Animator also goes some way to exploring the relationship craft has with the digital in the context of animation production. Through these varied discussions, this book problematizes simplistic notions about the value of certain methods and techniques, working to create a dialogue between craft and animation. .

Animated films. --- Arts. --- Animation. --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels

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This collection is a study of the value of craft as it can be understood within the study and practice of animation. The book reconsiders the position of craft, which is often understood as inferior to ‘art’, with a particular focus on questions of labour in animation production and gendered practices. The notion of craft has been widely investigated in a number of areas including art, design and textiles, but despite the fact that a wide range of animators use craft-based techniques, the value of craft has not been interrogated in this context until now. Seeking to address such a gap in the literature, this collection considers the concept of craft through a range of varying case studies. Chapters include studies on experimental animation, computer animation, trauma and memory, children’s animation and silhouette animation among others. The Crafty Animator also goes some way to exploring the relationship craft has with the digital in the context of animation production. Through these varied discussions, this book problematizes simplistic notions about the value of certain methods and techniques, working to create a dialogue between craft and animation. .

Art --- Film --- kunst --- animatiefilms