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Photographie --- Landscape photography --- Photography, Artistic --- Afrique
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"In Faces and Phases 200614, Zanele Muholi embarks on a journey of visual activism to ensure black queer and transgender visibility. Despite South Africas progressive Constitution and twenty years of democracy, black lesbians and trans men remain the targets of brutal hate crimes and so-called corrective rapes. Taken over the past eight years, the more than 250 portraits in this book, accompanied by moving testimonies, present a compelling statement about the lives and struggles of these individuals. They also comprise an unprecedented and invaluable archive: marking, mapping and preserving an often invisible community for posterity."
Lesbians --- Transgender people --- Portrait photography --- Photography, Artistic --- Muholi, Zanele.
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This work presents an expansive selection of striking photographs, together with first-person accounts from his private diary, which RongRong made between 1993 and 1998 within the artistic community known as Beijing East Village - now poignantly described as 'a meteor in the history of contemporary Chinese art.' RongRong's acutely composed and richly expressive images captured scenes of daily life among fellow young, aspiring artists, and created now definitive documents of iconic performance works by Zhang Huan and Ma Liuming, among others. Often highly challenging works, their performances and photographs would send an instant shockwave throughout the Chinese avant-garde, and later the global art scene. Revisiting these texts and images anew on the occasion of this publication, RongRong has composed an absorbing personal narrative of an artist coming into his own. RongRong's Diary. Beijing East Village also serves as an invaluable, first-hand record of a burgeoning artistic community, its precarious political context, and the real lives behind a pivotal moment in Chinese contemporary art.
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Co-published with The Walther Collection, this book is the first to present a comprehensive selection of the work of South African photographer Jo Ractliffe. Looking back over the past 35 years, it brings together images from major photo-essays, as well as early works that have not been seen before. Described by Okwui Enwezor as one of the most accomplished and underrated photographers of her generation, Ractliffe started working in the early 1980s, and her photographs continue to reflect her preoccupation with the South African landscape and the ways in which it figures in the country's imaginary, particularly the violent legacies of apartheid. In 2007 she extended her interests to the war in Angola and published three photobooks on the aftermath of that conflict and its manifestations in the South African landscape: Terreno Ocupado (2008), As Terras do Fim do Mundo (2010) and The Borderlands (2015).
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Photography --- Portrait photography --- Portraits, African --- fotografie --- fotografiegeschiedenis --- eenentwintigste eeuw --- twintigste eeuw --- portretfotografie --- landschapsfotografie --- documentaire fotografie --- Afrika --- identiteit --- verzamelingen --- collecties --- 77.041 --- African portraits --- Portraiture --- Exhibitions --- Portraits --- Walther Collection --- photography [process] --- group identity --- portraits --- #breakthecanon --- Africa
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