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Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience
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Het congres 'Frontline feminisms: women, war and resistance' was de aanleiding voor dit boek. Een groot deel van de bijdragen op het congres zijn hier gebundeld. Het woord frontlinie komt natuurlijk uit het militaire taalgebruik en verwijst naar de plaats waar de echte gevechten plaatshebben. De frontervaringen zijn uiteraard totaal anders dan deze van generaals of beleidsmakers. De bijdragen in deze bundel concentreren zich op verschillende vormen van feminisme aan de verschillende frontlinies, met name op de activisten in allerhande basisbewegingen. Zo zijn er verschillende bijdragen over vrouwen uit Centraal Amerika die zich verzetten tegen het staatsgeweld en schendingen van de mensenrechten. De gevolgen van oorlog en toenemende militarisering voor vrouwen in verschillende delen van de wereld worden beschreven alsook de strategieën die vrouwen gebruiken om hieraan het hoofd te bieden.
Femmes et guerre --- Femmes et l'armée --- Guerre et femmes --- Oorlog en vrouwen --- Vrouwen en het leger --- Vrouwen en oorlog --- War and women --- Women and the military --- Women and war --- Political philosophy. Social philosophy --- Criminology. Victimology --- Social problems --- Polemology --- Sociology of the family. Sociology of sexuality --- National movements --- Feminism --- Violence --- International --- Militarism --- War --- Theory --- Rape --- Protest movement --- Book --- Domestic violence
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Sociology of culture --- Sociology of the family. Sociology of sexuality --- Community organization --- Foreign trade. International trade --- Human rights --- Feminism --- Multiculturalism --- International --- Women's movements --- Book --- Globalization
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