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Mary, --- Annunciation. --- History of doctrines. --- 232.931.2 --- Maria: onbevlekte ontvangenis --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- 232.931.2 Maria: onbevlekte ontvangenis --- Christian special devotions --- Christian church history --- Christian dogmatics --- Majka Isusova --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,

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Thematology --- English literature --- anno 1500-1799

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English poetry --- Poésie anglaise --- History and criticism --- Histoire et critique --- England --- Intellectual life --- Civilization --- 820-1 --- -English literature --- Engelse literatuur: poëzie --- -Intellectual life --- -English poetry --- History and criticism. --- -Engelse literatuur: poëzie --- -820-1 --- 820-1 Engelse literatuur: poëzie --- -820-1 Engelse literatuur: poëzie --- Poésie anglaise --- English poetry - Early modern, 1500-1700 - History and criticism --- England - Intellectual life - 16th century --- England - Civilization - 16th century --- Angleterre --- 16e siècle --- Vie intellectuelle

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The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.

English literature --- Women in literature. --- Baroque literature --- Women and literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- History --- Pembroke, Mary Sidney Herbert, --- Behn, Aphra, --- Herbert, Mary, --- Pembrock, Maria von, --- Pembroke, --- Sidney, Mary, --- Behn, Aphra Amis, --- Behn, A. --- A.B. --- Behn, --- Behn, Anne, --- Bhen, A. --- Behn, Ann, --- Behn, Afra, --- Behn, Aphara, --- Behn, Ayfara, --- Johnson, Aphra, --- Person of quality, --- Baroque. --- Female Baroque. --- Julia Kristeva. --- Women's writing. --- early modern England.

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Described as one of Shakespeare's most intriguing plays, All's Well That Ends Well has only recently begun to receive the critical attention it deserves. Noted as a crucial point of development in Shakespeare's career, this collection of new essays reflects the growing interest in the play and presents a broad range of approaches to it, including historical, feminist, performative and psychoanalytical criticisms. In addition to fourteen essays written by leading scholars, the editor's introduction provides a substantial overview of the play's critical history, with a strong focus on performance analysis and the impact that this has had on its reception and reputation. Demonstrating a variety of approaches to the play and furthering recent debates, this book makes a valuable contribution to Shakespeare criticism.

Shakespeare, William