Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This project collects in one volume for the first time a selection of zines by Marcopoulos, many never before released, providing a unique insight and overview into an essential part of this influential artist's daily practice. Often self-published or created in collaboration with boutique and independent publishers like ROMA, Dashwood Books, and PPP Editions, these informal, DIY-aesthetic creations function as sketchbook, diary, installation space, and a means of processing Marcopoulos's daily practice of photographing his life, his family, his neighborhood, and the rarified cultural milieu in which he operates. This collection showcases an impressive array of printed zines, exploring each as an artistic object through an engaging layout. Beginning in 2015 and presented chronologically per year, key zines are featured--including some made during the pandemic, when Marcopoulos worked primarily on the screen, making PDF zines--and punctuated by individual images presented full scale. An interview with Hamza Walker underscores the role of zines as an essential part of Marcopoulos's artistic practice, emphasizing the personal, diaristic element within the work, while an essay from Maggie Nelson meditates on the work's position within a wider social and cultural context. Ari Marcopoulos: Zines is a must-have for anyone interested in this prolific artist's personal practice and zine culture.." -- Aperture website, accessed May 30 2023.

Photography, Artistic --- Zines --- photography [process] --- photo zines --- Marcopoulos, Ari

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This artist's book accompanies Ari Marcopoulos's exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own copious output, the selection is both haphazard and intuitive, leaving room for spontaneity and even mistakes. A portion of the book also focuses on the 2021 video installation 'Alone Together', featuring a saxophone performance by jazz legend Joe McPhee, which forms a central part of the exhibition.

Fotografie --- Foto --- Fotograaf --- Smartphone --- Marcopoulos, Ari

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Kerckoven, Anne-Mie van --- Kerckhoven, van, Anne-Mie --- Digitale afdrukken ; schilderkunst ; 1979-2011 ; Anne-Mie Van Kerckhoven --- Kunst en feminisme --- Gender Studies --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Van Kerckhoven, Anne-Mie °1951 (°Antwerpen, België) --- Lichtbakken ; lichtkasten --- Kunst en muziek ; Anne-Mie Van Kerckhoven en Danny Devos ; Club Moral --- Kunst en wetenschap --- kunst en maatschappij --- collages --- kunst en muziek --- 7.071 VAN KERCKHOVEN --- Kunst; 20ste eeuw --- Kunst; 21ste eeuw --- Schilderkunst ; schilders --- video art --- graphic arts --- Kerckhoven, Van, Anne-Mie --- 7.07 --- 75.07 --- Belgische kunstenaars --- Multimedia --- Kunst en maatschappij --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Van Kerckhoven Anne-Mie --- wetenschap --- kunst en wetenschap --- België --- tekenkunst --- feminisme --- gender studies --- installaties --- muziek --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- art [fine art] --- painting [image-making] --- Art --- Graphic arts --- Van Kerckhoven, Anne-Mie --- Art [Belgian ] --- 20th century --- 21st century --- Kunst --- Grafische kunsten --- schilderen [kunst] --- videokunst [kunstwerken] --- grafische kunsten --- Van Kerckoven, Anne-Mie --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- sculpture [visual works] --- politics --- elections --- political campaigns --- mixed media --- kunst en politiek --- social criticism --- presidents --- clowns --- Andrews, Kathryn --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject."--Provided by publisher

Art, American --- Decoration and ornament in art --- Themes, motives