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Papacy --- Bibliography --- Vatican City --- 262.132 --- -Holy See --- See, Holy --- Popes --- Wereldlijke macht van de paus. Pauselijke staten. Vaticaanstad --- Bibliography. --- -Wereldlijke macht van de paus. Pauselijke staten. Vaticaanstad --- 262.132 Wereldlijke macht van de paus. Pauselijke staten. Vaticaanstad --- -262.132 Wereldlijke macht van de paus. Pauselijke staten. Vaticaanstad --- Holy See --- City of the Vatican --- Città del Vaticano --- Vatikana --- Vatican City State --- Stato della Città del Vaticano --- Miejsce Piotrowe --- Wieczne Miasto --- Watykan --- Cité du Vatican --- Stolica Apostolska --- Civitas Vaticana --- Status Civitatis Vaticanae --- Holy See (Vatican City State) --- Holy See (Vatican City) --- Santa Sede --- Santa Sede (Stato della Città del Vaticano) --- Santa Sede (Città del Vaticano) --- State of the Vatican City --- Città Vaticano --- Papal States --- Papacy - Bibliography --- Vatican City - Bibliography
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"The nation-state is for the most part the product of a European mentalité. What happens when it is exported, along with colonialism, to other parts of the world? What happens in China when it encounters--either through force or by willing appropriation--European categories of nation and state, along with their attendant formulations concerning science, rationality, politics, and economics, and their accompanying categories such as religion, the secular, the sacred, human rights, and freedom? How does an imperium become a nation? The central tenet of this book is that nation-states are the results of mythos and sanctified violence. Using government texts including China's constitution (which describes its sovereign domain as "sacred territory") and focusing on citizenship, religion, and territory, Walsh argues that the state sacralizes the nation and that it is this notion of the sacred, the inviolate, that frames and sustains nation-state building. It is used to justify territorial integrity and state sovereignty; with its deep religious underpinnings it shapes citizens of the state and makes them members of the nation. Sacrality, therefore, is a constitutive part of modern China, manifested in its constitution and how it engages the world"--
Civil religion --- Religion and state --- Citizenship --- National characteristics, Chinese --- Nation-state --- S02/0200 --- S06/0250 --- S13A/0200 --- National state --- State, The --- National interest --- Self-determination, National --- Chinese national characteristics --- Birthright citizenship --- Citizenship (International law) --- National citizenship --- Nationality (Citizenship) --- Political science --- Public law --- Allegiance --- Civics --- Domicile --- Political rights --- Religion, Civil --- Chauvinism and jingoism --- Nationalism --- Religion and culture --- China: General works--Civilization and culture, nation, nationalism --- China: Politics and government--Political theory: general and traditional --- China: Religion--General works --- Law and legislation --- Religious aspects --- Sociology of religion --- China --- Citizenship. --- Civil religion. --- Das Heilige. --- Nation-state. --- Nation. --- National characteristics, Chinese. --- Nationalstaat. --- Religion and state. --- Staatsbürger. --- Territorium. --- Zivilreligion. --- China.
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Arts --- Arts and history. --- Civilization, Western. --- Political aspects. --- Civilization, Occidental --- Occidental civilization --- Western civilization --- History and the arts --- History
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Buddhism --- Buddhist monasteries --- Monastic and religious life (Buddhism) --- Economic aspects --- Tiantong si (Yin Xian China).
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Motion pictures --- Motion pictures. --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of social disgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people.
Film --- History --- film --- geschiedenis --- Motion pictures --- Motion pictures.
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Excavations (Archaeology) --- Pottery, Ancient --- Boats, Ancient --- Fouilles (Archéologie) --- Caramique antique --- Bateaux anciens --- Thames River Estuary (England) --- Tamise, Estuaire de la (Angleterre) --- Antiquities. --- Antiquités
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