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With The Good Shepherd and other sculptures for the not so converted, Sven `t Jolle returns to his work of the past twenty years in search of Biblical imagery and Christian iconography. This quest leads him through a labyrinth of images, from a Shiite Pietà and the joyous arrival of Jesus in Malibu to detention on Christmas Island. Associative links are made between disparate cultural elements and socio-political subjects. For the artist, religious references form merely a foundation of meaning in working towards a broader societal story. The artist draws upon his vast sketchbook archive, among other sources, to create a book that affords insight into his artistic process as well as the train of thought behind his multi-faceted oeuvre.00Exhibition: Voorkamer, Lier, Belgium (10.10.-22.11.2015).

politics --- iconography --- Christianity --- sculpture [visual work] --- humor --- refugees --- drawings [visual works] --- Art --- globalization --- Jolle, 't, Sven --- kunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 't Jolle Sven --- 77.071 T.JOL --- Exhibitions --- sculpture [visual works] --- 'T Jolle, Sven --- 7.07 --- Kunst en maatschappijkritiek --- 't Jolle, Sven °1966 (°Antwerpen, België) --- Belgische kunstenaars ; 21ste eeuw --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Sculpture, Belgian --- Drawing, Belgian --- Jolle, Sven 't, --- social criticism

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Wilde, De, Johan

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Cuvelier, Werner