Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Movie magazines are crucial but widely underused sources for writing the history of films and cinema. This volume brings together for the first time a wide variety of historic research of movie magazines and film trade journals, reflecting on the issue of using these sources for film/cinema historiography and on the impact of digitization processes. Mapping Movie Magazines explores this debate from different disciplinary perspectives, enlightened by case studies from the use of early film trade press to pedagogical uses of digitized periodicals. The volume explores Hollywood's grip on movie magazines, gender in film journalism, typologies of unknown trade press and movie magazine markets, and subversive Tijuana bibles.

Motion pictures --- Motion picture industry --- Periodicals. --- Digital technology --- Motion pictures—History. --- Communication. --- Civilization—History. --- Journalism. --- Political economy. --- Film History. --- Media and Communication. --- Cultural History. --- International Political Economy. --- Economic theory --- Political economy --- Social sciences --- Economic man --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Communication, Primitive --- Mass communication --- Sociology --- Civilization --- International economic relations. --- Film and TV History. --- International Political Economy’. --- Economic policy, Foreign --- Economic relations, Foreign --- Economics, International --- Foreign economic policy --- Foreign economic relations --- Interdependence of nations --- International economic policy --- International economics --- New international economic order --- Economic policy --- International relations --- Economic sanctions --- Cultural history --- History. --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This Handbook offers new and previously unexplored comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions. Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018). Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021. Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Chapter(s) “Chapter 8.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Motion pictures --- History. --- Appreciation. --- Motion pictures. --- Motion picture industry. --- Television broadcasting. --- Global Film and TV. --- Film and TV History. --- Film and Television Industry.