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Trauma and survival in contemporary fiction
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ISBN: 0813921287 0813921279 9780813921280 9780813921273 Year: 2002 Publisher: Charlottesville, Va University of Virginia Press

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Abstract

In an exploration of how contemporary fiction narratives represent trauma—that response to events so overwhelmingly intense that normal responses become impaired—Laurie Vickroy engages a wealth of the twentieth century’s most striking literature. Toni Morrison’s Beloved and Jazz, Marguerite Duras’s The Lover, Dorothy Allison’s Bastard out of Carolina, Jamaica Kincaid’s The Autobiography of My Mother, and Larry Heinemann’s Paco’s Story, among others, are the source of Vickroy’s study investigating the complex relationship between sociocultural influences and intimate personal relations portrayed in trauma fiction and how those portrayals direct this difficult material to readers.Vickroy’s study is unique in its use of trauma, postcolonial, and object relations theories to illuminate the cultural aspects of traumatic experience that shape relationships, identity formation, and the possibilities for symbolization. Vickroy argues that contemporary trauma narratives are indeed personalized responses to this century’s emerging awareness of the catastrophic effects on the individual psyche of wars, poverty, colonization, and domestic abuse. She examines these texts as postcolonial attempts to rearticulate the lives and voices of marginalized people, to reject Western conceptions of the autonomous subject, and to recognize the complex negotiations of multicultural social relations.Trauma is a compelling and evocative topic in the contemporary world and as reflected in its literature. In unraveling trauma’s effects, the texts studied in Trauma and Survival in Contemporary Fiction reveal the intricacies of power and the relationship between society’s demands and the individual’s psychological well-being.

Keywords

Sociology of literature --- American literature --- Thematology --- Psychological study of literature --- anno 1900-1999 --- American fiction --- Women and literature --- Psychological fiction --- African American women in literature --- West Indian Americans in literature --- Psychic trauma in literature --- Abused women in literature --- Women authors --- History and criticism --- History --- Duras, Marguerite --- Knowledge --- Psychology --- Morrison, Toni --- Allison, Dorothy --- Kincaid, Jamaica --- Heinemann, Larry --- 82:396 --- 82.04 --- Literatuur en feminisme --- Literaire thema's --- Abused women in literature. --- African American women in literature. --- Psychic trauma in literature. --- West Indian Americans in literature. --- History and criticism. --- Psychology. --- Morrison, Toni. --- 82.04 Literaire thema's --- 82:396 Literatuur en feminisme --- Duras, Marguerite. --- Afro-American women in literature --- Literature --- Women authors&delete& --- Dwirasŭ, Marŭgŭrittŭ --- Twirasŭ, Marŭgŭrittŭ --- Tu-la-ssu, Ma-ko-li-tʻe --- Dulasi, Magolite --- Tu, La-ssu --- Du, Lasi --- Di︠u︡ras, Marherit --- Дюрас, Маргерит --- דיראס, מרגריט --- Dûras, Margrît --- Doras, Margerête --- Doras, Margrête --- Donnadieu, Marguerite, --- Allison, Dorothy, --- Heinemann, Larry. --- デュラス, マルグリット --- デュラス, M. --- American fiction - Women authors - History and criticism --- Women and literature - West Indies - History - 20th century --- Women and literature - United States - History - 20th century --- Psychological fiction - History and criticism --- Duras, Marguerite - Knowledge - Psychology


Book
Reading trauma narratives
Author:
ISBN: 9780813937373 081393737X 0813937388 9780813937397 0813937396 9780813937380 Year: 2015 Publisher: Charlottesville

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Abstract

As part of the contemporary reassessment of trauma that goes beyond Freudian psychoanalysis, Laurie Vickroy theorizes trauma in the context of psychological, literary, and cultural criticism. Focusing on novels by Margaret Atwood, William Faulkner, Toni Morrison, Jeanette Winterson, and Chuck Palahniuk, she shows how these writers try to enlarge our understanding of the relationship between individual traumas and the social forces of injustice, oppression, and objectification. Further, she argues, their work provides striking examples of how the devastating effects of trauma-whether sexual, socioeconomic, or racial-on individual personality can be depicted in narrative. Vickroy offers a unique blend of interpretive frameworks. She draws on theories of trauma and narrative to analyze the ways in which her selected texts engage readers both cognitively and ethically-immersing them in, and yet providing perspective on, the flawed thinking and behavior of the traumatized and revealing how the psychology of fear can be a driving force for individuals as well as for society. Through this engagement, these writers enable readers to understand their own roles in systems of power and how they internalize the ideologies of those systems.

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