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This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? Vermeulen usesDesperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber to explore these questions.
Film --- United States --- Suburban life in motion pictures. --- Suburban life on television. --- Suburbs in motion pictures. --- Suburban life --- Motion pictures --- Television --- United States of America
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Exploring fiction, film and art from across the USA, South America, Asia, Europe and Australia, New Suburban Stories brings together new research from leading international scholars to examine cultural representations of the suburbs, home to a rapidly increasing proportion of the world's population. Focussing in particular on works that challenge conventional attitudes to suburbia, the bookconsiders how suburban communities have taken control of their own representation to tell their own stories in contemporary novels, poetry, autobiography, cinema, social media and public art tell the story of how suburban communities have taken control of their own representation to tell their own stories in contemporary novels, poetry, autobiography, cinema, social media and public art.
Banlieues --- Suburbs in mass media. --- Suburbs in literature. --- Suburbs in motion pictures. --- Suburbs in art. --- Dans la littérature --- Au cinéma --- Dans l'art --- Dans les médias --- Dans la littérature. --- Au cinéma. --- Dans l'art. --- Dans les médias. --- Dans la littérature. --- Au cinéma. --- Dans les médias.
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Richard Linklater is a popular American filmmaker who is widely celebrated for the breadth of his oeuvre. Over the past three decades, Linklater has directed more than twenty features, ranging from non-linear independent films to Hollywood genre entertainment. Despite the popularity of Linklater's rich and varied body of work - and perhaps also because of this generic diversity - he remains under-represented in critical and scholarly fora.
ReFocus: The Films of Richard Linklater addresses this oversight, bringing together twelve original essays attending to Linklater as a filmmaker whose work engages with contemporary debates in American politics, gender, youth, and activism as well as significant concepts in film studies, including time and duration, rhythm, and movement. Together these essays form a dialogue on Linklater's ongoing role in contemporary American popular culture, and the impact his work has on discussions within (and beyond) film studies.
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"Gathers historians, philosophers, critics, curators, and artists to explore the divisions in teaching, practice, and theorization of art created by the choice between continuations of Modernism, with its aesthetic values, and the many kinds of postmodernism, which privilege issues outside aesthetics, including politics, gender, and identity"--Provided by publisher.
Aesthetics. --- Modernism (Aesthetics) --- Art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Philosophy. --- Analysis, interpretation, appreciation --- Psychology --- Radio broadcasting Aesthetics --- Aaron Richmond. --- Andrew McNamara. --- Carrie Noland. --- Cary Levine. --- Diarmuid Costello. --- Eva. --- Eve Meltzer. --- Gary Peters. --- Groys Beáta. --- Hock Gordon. --- Hughes Michael. --- J. M. Bern. --- James Elkins. --- Joana Cunha. --- Justin McKeown. --- Kelly Grant Kester. --- Lauren Ross. --- Leal Angela Dimitrakaki Alexander Dumbadze T. Brandon Evans Geng Youzhuang Boris. --- Luis Camnitzer. --- Maria Filomena. --- Meredith Kooi. --- Molder. --- Nadja Millner-Larsen. --- Stéphanie Benzaquen. --- Sunil Manghani. --- Toni Ross. --- William Mazzarella. --- stein Karen Busk-Jepsen. --- Estetik. --- Esthétique --- Konstfilosofi. --- Modernism (Aesthetics). --- Modernism (konst). --- Modernisme (Esthétique) --- Postmoderne. --- Postmodernism (konst). --- Postmodernism --- Postmodernism. --- Postmodernisme --- Ästhetik. --- Philosophie
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This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force. This second volume focuses on international cinema, and includes case studies of key performances.
Motion picture acting. --- Motion picture acting --- Motion pictures --- Film acting --- Moving-picture acting --- Acting --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- History --- History and criticism
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Analyses what makes an acting performance excellent, through a range of examples from American filmThis two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director’s style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson, Al Pacino, Sidney Poitier, Gena Rowlands, Peter Sellers, Kristen Stewart, and Ethel Waters, amongst many others.Read the introduction (pdf)ContributorsBrenda Austin-Smith, University of ManitobaRebecca Bell-Metereau, Texas State UniversityCharles Ramírez Berg, University of Texas at AustinJanet Bergstrom, UCLAJohn Bruns College of CharlestonAlex Clayton, University of BristolShonni Enelow, Fordham UniversityAnna Everett, University of California, Santa BarbaraLucy Fischer, University of PittsburghLester D. Friedman, Hobart and William Smith CollegesFrances Gateward, California State University NorthridgeDavid Greven, University of South CarolinaJason Jacobs, University of QueenslandElliott Logan, University of Queensland, BrisbaneDouglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University William Rothman, University of MiamiSteven Rybin, Minnesota State University, MankatoKyle Stevens, Appalachian State UniversityGeorge Toles, University of ManitobaDaniel Varndell, University of WinchesterTimotheus Vermeulen, University of OsloRick Warner, University of North Carolina at Chapel Hill"
Motion picture acting. --- Motion picture acting --- Motion pictures --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film acting --- Moving-picture acting --- Acting --- History. --- History --- History and criticism
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