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Around the middle of the eighteenth century the leading figures of the French Enlightenment engaged in a philosophical debate about the nature of music. This book traces the development of the ideas discussed, focusing on three different events that occurred roughly simultaneously: Rameau's formulation of the principle of the fundamental bass; the writing of the Encyclop'edie, edited by Diderot and d'Alembert, with articles on music by Rousseau; and the "Querelle des Bouffons," over Italian comic opera and French tragic opera. The philosophes, in the typical manner of Enlightenment thinkers, were able to move freely from the broad issues of philosophy and criticism, to the more technical questions of music theory, considering music as both art and science. Their dialogue was one of extraordinary depth and richness and dealt with some of the most fundamental issues of the French Enlightenment. Verba reconstructs the link between music theory and criticism that has been lost over time, presenting intensive passages from the debate in English translation for the first time.
Enlightenment --- Lumières (Philosophie) --- Lumières [Siècle des ] --- Siècle des Lumières --- Verlichting (Filosofie) --- Music --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Philosophy and aesthetics --- History and criticism --- Enlightenment. --- Philosophy and aesthetics. --- History and criticism. --- -Philosophy and aesthetics --- -Aufklärung --- Art music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- France --- 18th century --- 78.81
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Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.
Opera --- Enlightenment --- Music --- Philosophy and aesthetics. --- Rameau, Jean-Philippe, --- Criticism and interpretation. --- Rameau, Jean-Philippe --- Opéra --- Siècle des Lumières --- Musique --- Philosophie et esthétique --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Gluck-Piccinni controversy --- Querelle des Bouffons --- Philosophy and aesthetics --- Ramo, Zhan Filipp, --- Rameau, --- Rameau, Johann Baptist, --- Rameau, J. Ph. --- Ramō, J. Ph., --- Ramō, Jan Firippu,
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"Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published."
Music --- Music --- Music and science --- Music theory --- Enlightenment --- Musique --- Musique et sciences --- Théorie musicale --- History and criticism. --- Philosophy and aesthetics --- History --- History --- History --- Esthétique --- Histoire --- Histoire --- Histoire
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