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- Oui, le diable existe... dit l'un. - Il est Nécessaire, dit l'autre. Qu'un prêtre exorciste et un psychanalyste arrivent à ces conclusions a de quoi étonner. Elles sont le résultat d'une collaboration longue de treize ans entre Maurice Bellot prêtre exorciste de Paris et Alberto Velasco, psychiatre et psychanalyste devenu son consultant. Cette surprenante association leur a permis d'engager un travail de réflexion mure et solide, basée sur leurs activités et positions différentes.Dans un langage clair, écrit pour un public averti, ils nous livrent le fruit de ces passionnantes conversations tenues lors de réunions trimestrielles qui ont lieu, sans surprise, près de la place Saint Michel, l'Archange anti-diabolique, non loin de la cathédrale Notre-Dame de Paris. Si les deux auteurs sont d'accord pour dire que Le diable ne dort jamais, le lecteur pourra apprécier les nuances tout en finesse qu'ils donnent chacun à cette affirmation.Ce livre permet un éclairage fondamental sur des questions que beaucoup se posent sur l'exorcisme, le diable, le mal, le malheur ou la maladie. Autrement dit, pour parler au plus près de ce que dit le patient : "je suis mal", "j'ai mal", "j'ai Le mal", voire "JE suis le mal".
le diable --- exorcisme --- psychanalyse --- psychologiqie et spiritualité --- rituels d'exorcisme --- tentation --- possession --- le mal --- le malheur --- la maladie --- le Malin --- l'histoire des hommes
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This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies.Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†).
Spanish Medieval styles --- Painting --- easel paintings [paintings by form] --- influence --- anno 1400-1499 --- Flanders --- Spain --- Painting, Late Gothic --- Painting, Spanish --- Art and society --- Flemish influences. --- History --- Civilization --- Early Netherlandish --- Flemish influences --- Peinture --- Peinture flamande --- Painting, Late Gothic - Spain - Aragon --- Painting, Spanish - Flemish influences --- Art and society - Spain - Aragon - History - To 1500 --- Spain - Civilization - 711-1516 --- Late Gothic painting --- Painting, Gothic --- Painting, Medieval --- Late Gothic
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"This book, published on the occasion of the exhibition, presents the results of the research carried out over a period of more than three years by a group of specialists. Their work in archives, libraries and restoration centres and, of course, their first-hand examination of the pictures themselves have enabled them not only to put together a new catalogue raisonne of this Spanish artist but also to reveal new aspects of his personality, painting technique and iconographic contributions. In order to appeal to a wide and varied audience ranging from specialists to art lovers, the texts are written in a rigorous but engaging style and are accompanied by a rich assortment of attractive illustrations that attest to Bermejo's mastery as a painter. In short, the book is designed to help readers learn about and enjoy the work of a truly brilliant painter who is still little known to the public at large."-- from Front Cover
Schilderkunst --- schilderijen --- Bermejo, Bartolomé --- Painting, Spanish --- Painting --- easel paintings [paintings by form] --- Vlaamse Primitieven --- 15de eeuw --- Spanje --- Vlaanderen --- Vlaamse primitieven --- Vlaamse primitieven. --- Bermejo, Bartolomé. --- 15de eeuw. --- Spanje. --- Vlaanderen. --- Bermejo, Bartolomé --- tentoonstelling Spa (1936). --- Salon van Spa (1936). --- 20ste eeuw.
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