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Journalism --- History of Belgium and Luxembourg --- anno 1940-1949 --- Flandre --- Geschiedenis van de nieuwste tijden --- Guerres --- Histoire contemporaine --- Ideologieën --- Idéologies --- Oorlogen --- Périodiques --- Tijdschriften --- Vlaanderen --- Belgian newspapers --- World War, 1939-1945 --- Journaux belges --- 2ème guerre mondiale --- History --- Propaganda --- Histoire --- Propagande --- Volk and kultuur --- History. --- Guerre mondiale, 2e, --- Belgique --- --1941-1944 --- --Vie culturelle --- --Presse --- --Volk en cultuur --- --1940-1944 --- --Belgian newspapers --- Volk en kultuur --- Belgium --- #GGSB: Geschiedenis (Belgie) --- 949.3.036 --- Academic collection --- #SBIB:949.3H1 --- #A9710A --- Geschiedenis van België: 2de wereldoorlog; repressie (1940-1945) --- Geschiedenis van België: godsdienst en cultuur --- 949.3.036 Geschiedenis van België: 2de wereldoorlog; repressie (1940-1945) --- 2ème guerre mondiale --- French newspapers (Belgian) --- Newspapers --- Volk en kultuur. --- Volk en cultuur --- German occupation, 1940-1945 --- Geschiedenis (Belgie) --- Guerre mondiale, 2e, 1939-1945 --- Vie culturelle --- Presse --- Belgian newspapers - History --- Belgium - History - German occupation, 1940-1945 --- BELGIQUE --- JOURNAUX BELGES (FLAMANDS) --- JOURNAUX BELGES --- PRESSE BELGE --- HISTOIRE --- 1940-1945 (OCCUPATION ALLEMANDE) --- COLLABORATION --- FLANDRE --- 1940-1945 --- 20E SIECLE --- PRESSE

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Note de l'éditeur : The work of Julia Spínola (b. 1979) departs from an intuitive and empirical practice, in which there is no place for metaphors or symbolisms. She is interested in the laws of physics such as connectivity, transference, movement, which have been present in her practice since earlier works.“One night in Madrid, a lamp came swirling down, as if it were a butterfly. It just missed the table and it did not break. The lamp was still burning, but it was hanging at a different level than usual: it had left the ceiling. Suddenly, a funny dialogue developed, a play with various lamps. It became obvious that Spínola wanted to link heart, head, feet and hands in her work – that she was in search of a form for them. Her work shows the effect of experienced and experimental material, it is imagined and created, one sees spaced possibilities that can be thought clearly at a certain moment in this space – a moment that surprises us.”

art [fine art] --- kunst --- Spínola, Julia --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- Spinola Julia --- Catalogs --- Art [Spanish ] --- 21st century --- Art, Spanish --- Installations (Art) --- Spínola, Julia --- Verwée, Adriaan °1975 (°Gent, België) --- Posture Editions --- Beeldende kunst ; Spanje ; 21ste eeuw --- Spínola, Julia (°1979, Madrid) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- art [discipline]