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This volume deals with the poetic framework and material content of the book of Psalms. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. An introduction to the design of biblical poetry, describing the fundamentals that determine the macrostructure of individual compositions, concludes this massive study.

Hebrew poetry, Biblical --- Stanzas. --- Rhetoric in the Bible. --- History and criticism. --- Bible. O.T. Psalms I-XLI --- Criticism, interpretation, etc --- Bible. Psalms --- Language, style --- Hebrew poetry [Biblical ] --- History and criticism --- Rhetoric in the Bible --- Stanzas --- 223.3 --- Strophes --- Psalmen --- Bible. --- Biblos Psalmon (Book of the Old Testament) --- Buch der Preisungen (Book of the Old Testament) --- Liber Psalmorum (Book of the Old Testament) --- Mazāmīr (Book of the Old Testament) --- Preisungen (Book of the Old Testament) --- Psalmen (Book of the Old Testament) --- Psalmoi (Book of the Old Testament) --- Psalms (Book of the Old Testament) --- Psalms of David (Book of the Old Testament) --- Psaumes (Book of the Old Testament) --- Pseaumes de Dauid (Book of the Old Testament) --- Salmenes bok (Book of the Old Testament) --- Salmos (Book of the Old Testament) --- Shihen (Book of the Old Testament) --- Sifr al-Mazāmīr (Book of the Old Testament) --- Soltar (Book of the Old Testament) --- Tehilim (Book of the Old Testament) --- Tehillim (Book of the Old Testament) --- תהלים (Book of the Old Testament) --- Zsoltárkönyv (Book of the Old Testament) --- Criticism, interpretation, etc. --- Language, style. --- Poetics --- Poetry --- Rhyme --- Versification --- Hebrew poetry, Biblical - History and criticism. --- Bible. A.T.. Psaumes --- Poésie hébraïque biblique --- Critique, interprétation, etc. --- Histoire et critique

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"In this volume, Pieter van der Lugt offers a comprehensive analysis of the rhetorical structure of Isaiah. As in his previous studies on the Book of Job and the Psalter the author demonstrates that classical Hebrew poetry displays a well-defined structure consisting of balanced main parts (cantos) and subdivision into strophes. This rhetorical starting point is of crucial importance for the delimitation of the individual poems in Isaiah 40-48 and in many cases determines their interpretation. Subsequently, it is demonstrated that the successive compositions form well-defined and coherent cycles of poems"--

Inscriptions, Hebrew --- Jewish seals (Numismatics) --- Seals (Law) --- Seals (Numismatics) --- Hebrew inscriptions --- 224.2 --- 224.2 Isaie --- 224.2 Jesaja. Isaias --- Isaie --- Jesaja. Isaias --- Bible --- Bible. --- Book of Isaiah (Book of the Old Testament) --- Ēsaias (Book of the Old Testament) --- Esaïe (Book of the Old Testament) --- Isaia (Book of the Old Testament) --- Isaiah (Book of the Old Testament) --- Isaias (Book of the Old Testament) --- Isaïe (Book of the Old Testament) --- Izaya sho --- Jesaja (Book of the Old Testament) --- Jesajabuch (Book of the Old Testament) --- Sefer Y'sha'yah (Book of the Old Testament) --- Yeshaʻyahu (Book of the Old Testament) --- Y'sha'yah (Book of the Old Testament) --- Socio-rhetorical criticism

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This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).

Stanzas. --- Rhetoric in the Bible. --- Hebrew poetry, Biblical --- History and criticism. --- Bible. --- Criticism, interpretation, etc. --- Language, style.