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The first of two goals of this thesis is to find a way to prepare pupils of the seventh year of vocational education for a school trip to London in an instructive but pleasant way. Next to that, I will also try to find a way to link lessons about London as much as possible to the curriculum to create constructive and sustainable lessons for the teachers and students who face the same challenge as I do now. In order to find an answer to these two problems, I followed a series of steps. Firstly, I did research and absorbed as much of the various aspects of the subject I was about to teach, namely London. I will explain these aspects shortly. Next, I got to know my target audience, namely the pupils, and conducted a survey on the pupils' interests on the subject. Lastly, after doing the research, I will have enough information to create a series of lessons. I will do this, keeping in mind that I can link the lessons to the curriculum and attainment targets. (Bron: auteur)
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This master’s thesis aims to add to the academic anthropological dialogue in regard to the interrelation of embodiment, grief, and spirit possession through the creation of a liminal space within the context of the charismatic shamanic ritual, called gut (굿), specifically the jinogui gut (진오귀굿), the ritual held for a recently deceased person. It relies on data obtained during a three-month stay in and around Seoul, and earlier scholarly work surrounding the topic of (Korean) Shamanism. It will start by providing a brief framework on the term shamanism, its etymology and problematisation, framed in the broader discussion on the notion of religion, as well as specifying the worldview of Korean shamanism, also known as musok (무속). This is then followed by an ethnographic account on shamanic practice, spirit possession and grief (counselling) within the context of a Korean shamanic ritual for a deceased person. This account will then be looked at through a phenomenological lens and cast them in a broader light of death and mourning, leaning heavily on Renato Rosaldo’s work on the Ilongot and personal experience after losing his wife, spirit possession, and embodiment, as well as South Korea’s history and contemporary society.
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