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"A detailed portrait of the Beistegui Penthouse Apartment in Paris, perhaps the most celebrated modernist apartment ever produced - designed by Le Corbusier in the 1920s, but now sadly demolished"-- A richly illustrated history of a single building, the celebrated and yet enigmatic penthouse of the wealthy playboy Charles de Beistegui, designed by Le Corbusier and Pierre Jeanneret in late 1920s Paris. What does it take to build not only a house but a machine for amusement? In Machine à Amuser, Wim van den Bergh chronicles the genesis of the famous penthouse of French-born Mexican millionaire bachelor Charles de Beistegui. The penthouse was planned and constructed by Le Corbusier & Pierre Jeanneret and built on a rooftop site on the Champs-Élysées between 1929–1932. Retracing the evolution of this icon of modern architecture from the initial competition between Gabriel Guevrekian, André Lurçat, and Le Corbusier & Pierre Jeanneret up to the executed version, van den Bergh tells the story of a client's ambition to build a house devoted to entertaining on one of the most well-heeled streets of Paris. Machine à Amuser also examines the cultural milieu of artists and patrons that surrounded Beistegui and which ultimately determined the apartment's conception and use, including its rococo and surrealist-inspired interior decor. Drawing on a panoply of archival material, van den Bergh narrates the tensions that arose between client and architects as each vied for creative control of the project. As the book shows, while Le Corbusier, with his cousin Pierre Jeanneret, remained the official architects of the penthouse, its famed interior was ultimately designed by the client, Charles de Beistegui. An account of a single building beloved by architects and architectural historians, Machine à Amuser tells a story that has never been told before. Van den Bergh redresses this lacuna in rich detail, revealing the history of the Beistegui penthouse, the evolution of the project, and its eventual erasure from the roofscapes of Paris.

Penthouses --- Modern movement (Architecture) --- Lost architecture --- Mouvement moderne (Architecture) --- Monuments disparus --- History --- Histoire --- Beistegui, Charles de, --- Le Corbusier, --- Jeanneret, Pierre, --- Homes and haunts --- penthouses [building divisions] --- architectuur, Frankrijk --- penthouses [shelters] --- Jeanneret, Pierre --- Corbusier, le --- anno 1900-1999 --- Paris --- France

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Le 16 juillet 1929, l'aristocrate Charles de Beistegui passe commande à Le Corbusier d'un appartement-terrasse au n°136 des Champs-Élysées l'ancien hôtel particulier de sa grand-mère. Membre de la haute bohème cosmopolite des Années folles, ce jeune dandy entend s'inspirer des fêtes légendaires se déroulant dans le penthouse de Condé Nast sur Madison Avenue (1925), et relatées dans les titres à la mode lui appartenant dont Vogue et Vanity Fair. Mais pour Wim van den Bergh, la « machine à amuser » dont rêve Beistegui (avec périscope et baie motorisée), aurait aussi à voir avec le château et la « petite maison » Art Déco réalisés par Robert Mallet-Stevens pour ses amis Paul Poiret « Le Magnifique » (1921-1923, inachevé) ainsi que Charles et Marie-Laure de Noailles (1923-1933)... Architecte diplômé de l'Université technique d'Eindhoven, Wim van den Bergh enseigne depuis 2001 à la RWTH Aachen University d'Aix-la-Chapelle, en Allemagne. [source éditeur].

Hôtels particuliers --- Beistegui, Charles de, --- Appartement --- Années 30 --- Terrasse --- Mode de vie --- Le Corbusier --- Années 1930 --- Beistegui, Charles de --- Le Corbusier, --- Le Corbusier, Charles-Edouard Jeanneret, --- Architecture --- de Beistegui, Charles, --- Criticism and interpretation. --- Homes and haunts. --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965

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Giuseppe Pizzigoni, architect of classical and postwar modernism in northern Italy, owes his reputation to his connections with the Novecento movement, his independence from fascism, and his interest in innovative residential floor plans. Using redrawn plans of some 60 realized buildings, the design achievements are systematically analyzed, supplemented by explanations on the historical background, a systematic catalog, and up-to-date photographic documentation.

Architecture --- Modern movement (Architecture) --- History --- Pizzigoni, Giuseppe, --- Pizzigoni, Giuseppe

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Architecture --- Janssen, Jo --- anno 1900-1999 --- anno 2000-2099 --- Netherlands --- Lille --- Urbanisme --- Jo Janssen Architecten --- van den Bergh, Wim --- Verheij, Henk --- Luijten Verheij Architecten --- Verheij Architecten --- Piazza Céramique --- Céramique --- Maastricht --- Limburg (NL) --- Nederland --- Vesteda --- Modern [style or period] --- architecture [object genre]