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Neue Musik konfrontiert uns mit ungewohnten Klängen und zwingt uns so, unser Verhältnis zur Welt zu hinterfragen. Sie rüttelt auf und ist somit immer auch politisch, so die gängige These. Am Beispiel von Helmut Lachenmann, einem der prominentesten Komponisten der Gegenwart, macht Lena Drazic Texte über Neue Musik zur Grundlage einer Diskursanalyse, die deren politischen Versprechungen auf den Grund geht. Daran zeigt sie, dass insbesondere in der Strömung des »Kritischen Komponierens« Werte wie Demokratie, Niederschwelligkeit oder Herrschaftskritik beschworen werden, der Zugang zum Neue-Musik-Betrieb hingegen maßgeblich von Bildungs- und Klassenprivilegien abhängt.

MUSIC / History & Criticism. --- Class. --- Critical Composing. --- Cultural Theory. --- Discourse Analysis. --- Education. --- Music. --- Musicology. --- Political Theory. --- Politics. --- Society. --- Sociology of Culture. --- Sociology of Music. --- Theodor W. Adorno.

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Professional musicians who perform in hospitals, retirement homes, and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music with all their senses up close - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to bond with new audiences, and to encourage active cultural participation. The contributors focus on the innovative potentials of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research, and social life.

MUSIC / History & Criticism. --- Audience Engagement. --- Classical Musicians. --- Community Engagement. --- Concert Studies. --- Cultural Education. --- Cultural and Social Participation. --- Culture. --- Education. --- Educational Research. --- Innovation. --- Music Education. --- Music Management. --- Music. --- Musicology. --- New Audiences. --- New Concert Formats. --- Music --- Social aspects. --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music and society --- Philosophy --- Musikvermittlung --- Music Education --- Innovation --- Classical Musicians --- Concert Studies --- New Concert Formats --- Community Engagement --- Audience Engagement --- New Audiences --- Cultural and Social Participation --- Education --- Culture --- Musicology --- Cultural Education --- Educational Research --- Music Management

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Archive zahlreicher österreichischer und tschechischer Klöster beherbergen heute einige der wertvollsten Abschriften von Instrumentalwerken Wagenseils, J. Haydns, Vanhals und Ditters. Dieses Vermächtnis ist größtenteils das Resultat eines in den 1750er Jahren aufkommenden Trends, dessen von Wien ausgehende Breitenwirkung bislang unterschätzt wurde. Christiane Maria Hornbachner nimmt aus musikgeschichtlicher Perspektive seine Akteure in den Blick: Klostervorsteher, Mönche, Komponisten und Musikalienhändler agierten im Spannungsfeld zwischen Kooperation und Wettbewerb sowie ausgeklügelter Planung und glücklichem Zufall - und schufen so einen musikalischen Nachlass, dessen Entstehungsgeschichte voller Geheimnisse steckt.

MUSIC / History & Criticism. --- 18th Century. --- Cultural History. --- Culture. --- Enlightenment. --- History. --- Instrumental Music. --- Monastery. --- Music Trade. --- Music. --- Musicology. --- String Quartet. --- Symphony. --- Trade. --- Vienna Classic. --- Vienna.

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Music and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.

Music. --- MUSIC / History & Criticism. --- Culture. --- Democracy. --- Gender. --- Music History. --- Musicology. --- New Media. --- Policy. --- Politics. --- Post-Colonialism. --- Post-Communism. --- Society. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)