Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Poetry --- Psycholinguistics --- Oral interpretation of poetry. --- Rhyme. --- Versification.
Choose an application
Poetry --- Psychological study of literature --- Poetics --- Psychological aspects
Choose an application
Poetic Conventions as Cognitive Fossils offers a major theoretical statement of where poetic conventions come from. The work comprises Reuven Tsur's research in cognitive poetics to show how conventional poetic styles originate from cognitive rather than cultural principles.The book contrasts two approaches to cultural conventions in general, and poetic conventions in particular. They include what may be called the "culture-begets-culture" or "influence-hunting" approach, and the "constraints-seeking" or "cognitive-fossils" approach here expounded. The former assumes that one may account for cultural programs by pointing out their roots in earlier cultural phenomena and provide a map of their migrations. The latter assumes that cultural programs originate in cognitive solutions to adaptation problems that have acquired the status of established practice. Both conceptions assume "repeated social transmission," but with very different implications. The former frequently ends in infinite regress; the latter assumes that in the process of repeated social transmission, cultural programs come to take forms which have a good fit to the natural constraints and capacities of the human brain.Tsur extends the principles of this analysis of cognitive origins of poetic form to the writing systems, not only of the Western world, but also to Egyptian hieroglyphs through the evolution of alphabetic writing via old Semitic writing, and Chinese and Japanese writings; to aspects of figuration in medieval and Renaissance love poetry in English and French; to the metaphysical conceit; to theories of poetic translation; to the contemporary theory of metaphor; and to slips of the tongue and the tip-of-the-tongue phenomenon, showing the workings and disruption of psycholinguistic mechanisms. Analysis extends to such varying sources as the formulae of some Mediaeval Hebrew mystic poems, and the ballad 'Edward,' illustrative of extreme 'fossilization' and the constraints of the human brain.
Cognitive psychology --- Grammar --- Poetry --- Psychological study of literature --- Poetics --- Cognitive grammar. --- Psychological aspects.
Choose an application
In our everyday life we are flooded by a pandemonium of information which consciousness organizes into more easily manageable phonetic and semantic categories. In poetry reading, however, the total effect of a poem is not only obtained by some of these categories but also by precategorial information, for which there is a growing body of empirical evidence of its psychological reality. In the Tip of the Tongue phenomenon, a great amount of diffuse precategorial information is present but fails to "grow together" into a compact word, generating a feeling of some dense, undifferentiated mass.
Poetics --- Sound symbolism. --- Versification. --- Cognition. --- Psycholinguistics. --- Language, Psychology of --- Language and languages --- Psychology of language --- Speech --- Linguistics --- Psychology --- Thought and thinking --- Meter --- Metrics --- Prosody --- Authorship --- Rhythm --- Stanzas --- Phonetic symbolism --- Phonosemantics --- Symbolism, Phonetic --- Grammar, Comparative and general --- Psycholinguistics --- Semiotics --- Symbolism --- Synesthesia --- Poetry --- Psychological aspects. --- Psychological aspects --- Phonology --- Technique
Choose an application
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions.
Versification. --- Sound symbolism. --- Poetics --- Psychological aspects.
Choose an application
Choose an application
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners.The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis.The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
Versification. --- Sound symbolism. --- Poetics --- Psychological aspects. --- Versification --- Sound symbolism --- Psychological aspects
Choose an application
Choose an application
Choose an application
Listing 1 - 10 of 15 | << page >> |
Sort by
|