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Photography, Artistic. --- Photographie artistique --- Jones, Sarah, --- Jones, Sarah --- Jones, Sarah (1959- ) --- Fotografías.
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Whiteread, Rachel --- edited by Chris Townsend --- kunst --- twintigste eeuw --- installaties --- Whiteread Rachel --- Groot-Brittannië --- beeldhouwkunst --- kunst en architectuur --- 7.071 WHITEREAD --- Whiteread, Rachel, --- Criticism and interpretation.
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theme --- dood --- Art --- thema's in de kunst --- Art, Modern --- Artists --- Death in art. --- Death --- Psychology. --- Psychological aspects.
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Dit boek geeft een interdisciplinaire visie op mode. Kunstenaars, ontwerpers en journalisten werkten mee aan dit boek, net als specialisten van kostuumgeschiedenis, theaterwetenschappen en sociologen. Mode wordt gezien als een vorm van communicatie ...
907.3 --- beeldcultuur --- beeldvorming --- mode --- verleiding --- kostuumkunde, bijzondere onderwerpen --- Fotografen ; modefotografie ; Helmut Newton --- Kunst en mode --- Thema's in de kunst ; 20ste eeuw ; 1970-2002 ; mode --- Iconografie ; de mens, portretten --- (069) --- 7.041 --- Beecroft, Vanessa --- 772.9 --- CDL --- (Musea. Collecties) --- productdesign, afzonderlijke voorwerpen --- Exhibitions --- Manufacturing technologies --- Art --- Clothing trade --- Fashion and art --- Fashion design --- Clothing and dress --- Clothing design --- Dress design --- Design --- Art and fashion --- Apparel industry --- Clothiers --- Clothing industry --- Garment industry --- Rag trade --- Textile industry --- Tailors --- Fashion industry
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Installations (Art). --- Video art. --- Viola, Bill, --- Criticism and interpretation. --- Art vidéo. --- Installations (Art) --- Installations (art) --- Viola, Bill --- Critique et interprétation. --- Art vidéo.
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Human figure in art --- Portrait photography --- 77.038 --- 77.041 --- Adler Amy --- Cadieux Geneviève --- Chris Townsend --- Coplans John --- dood --- Dumbleton Frances --- Ewald Wendy --- fotografie --- Fox Sue --- Goldin Nan --- Graham Roberta --- Jones Sarah --- Kilpatrick-Ayre Patricia --- kinderen --- kinderfotografie --- Lehtola Jouko --- lichamelijkheid --- Luchford Glenn --- Manchot Melanie --- Mann Sally --- naakt --- naaktfotografie --- portret --- portretfotografie --- Saville Jenny --- Schorr Collier --- Serrano Andres --- Smith Richard --- Thorneycroft Diana --- twintigste eeuw --- Waplington Nick --- Whinting Belina --- Witkin Joel-Peter --- Yearnshine John DC --- Exhibitions --- Photography --- photography [process]
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Neoclassical and Romantic verse cultures are often assumed to sit in an oppositional relationship to one another, with the latter amounting to a hostile reaction against the former. But there are in fact a good deal of continuities between the two movements, ones that strike at the heart of the evolution of verse forms in the period. This Element proposes that the mid-eighteenth-century poet Mark Akenside, and his hugely influential Pleasures of Imagination, represent a case study in the deep connections between Neoclassicism and Romanticism. Akenside's poem offers a vital illustration of how verse was a rival to philosophy in the period, offering a new perspective on philosophic problems of appearance, or how the world 'seems to be'. What results from this is a poetic form of knowing: one that foregrounds feeling over fact, that connects Neoclassicism and Romanticism, and that Akenside called the imagination's 'pleasures'.
Neoclassicism (Literature) --- Romanticism. --- Akenside, Mark, --- Criticism and interpretation. --- Aesthetics --- Fiction --- Literary movements --- Pseudo-romanticism --- Romanticism in literature --- Classicism --- Revival movements (Art) --- Akenside,
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This book explains the history of taxation in America, what tax money is used for, how taxes are collected, and the responsibility of citizens and residents to pay taxes.
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Literature --- Akenside, Mark --- anno 1800-1899
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