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Devotional literature, Latin (Medieval and modern) --- Illumination of books and manuscripts, Czech --- Illumination of books and manuscripts, Medieval --- Manuscripts, Latin (Medieval and modern) --- Mysticism and art --- History and criticism --- Kunhuta, --- Jesus Christ --- 091 <437 PRAHA> --- 091:235.3 --- 235.3 --- 091:235.3 Vitae en passionalen--(handschriften) --- Vitae en passionalen--(handschriften) --- 091 <437 PRAHA> Handschriftenkunde. Handschriftencatalogi--Tsjechoslowakije--PRAHA --- Handschriftenkunde. Handschriftencatalogi--Tsjechoslowakije--PRAHA --- Hagiografie --- Devotional literature, Latin (Medieval and modern) - History and criticism --- Illumination of books and manuscripts, Medieval - Czech Republic - Bohemia --- Manuscripts, Latin (Medieval and modern) - Czech Republic - Bohemia --- Passionnaires --- Bohême --- Kunhuta, - Princess of Bohemia, - 1265-1321 --- Jesus Christ - Art
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Christian special devotions --- anno 500-1499 --- Reliquaries, Medieval. --- Church history --- Reliquaries --- Reliquaires médiévaux --- Eglise --- Reliquaires --- Congresses. --- Histoire --- Congrès --- Christian art and symbolism --- Reliquaires médiévaux --- Congrès --- Christian art and symbolism - Medieval, 500-1500.
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In mittelalterlicher Kunst und Frömmigkeit spielen Reliquien eine grosse Rolle. Die als heilig verehrte Materie - Splitter des (angeblichen) Kreuzes Christi und Knochenreste von Heiligen - wurde in kostbaren Gefässen, den Reliquiaren, aufbewahrt. Ab ungefähr 1200 werden sie zunehmend als Schaugefässe gestaltet, so dass das Heiligengebein unter Bergkristallabdeckungen visuell erfahrbar wird. Wie kommt es zu diesem Wandel von der Unsichtbarkeit zur sichtbaren Präsentation des Heiligen? Die Autorin verwirft die traditionelle und weit verbreitete Ansicht, der Wandel habe mit einer im Spätmittelalter grassierenden 'Schaufrömmigkeit' zu tun. Stattdessen verweist sie auf die Begegnung der Kreuzfahrer des 12. und 13. Jahrhunderts mit heiliger Kreuz- und Knochenmaterie. Mit vielen Beispielen schildert Gia Toussaint, wie die Reliquien als Souvenir und Beutegut in den Westen gebracht und dann als Trophäen ausgestellt wurden.
Relics --- Reliquaries, Medieval --- Crusades --- Reliques --- Reliquaires médiévaux --- Croisades --- Cult --- History --- Culte --- Histoire --- Christian art and symbolism --- Goldwork --- Byzantine Empire --- 231.739 --- 27 "11/13" --- Relikwieën --- Kerkgeschiedenis--?"11/13" --- 231.739 Relikwieën --- Reliquaires médiévaux --- Relics and reliquaries --- Bones --- Religious articles --- Gold articles --- Gold work --- Goldsmithing --- Art metal-work --- Metal-work --- Jewelry making --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Christian art and symbolism - Byzantine Empire --- Christian art and symbolism - Europe - History - 12th century --- Christian art and symbolism - Europe - History - 13th century --- Goldwork - Byzantine Empire - History - 12th century --- Goldwork - Byzantine Empire - History - 13th century --- Goldwork - Europe - History - 12th century --- Goldwork - Europe - History - 13th century --- Relics - Byzantine Empire - History - 12th century --- Relics - Byzantine Empire - History - 13th century --- Relics - Europe - History - 12th century --- Relics - Europe - History - 13th century --- Croix --- Reliquaires
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091.14 --- 091:003.5 --- 7.023 --- 7.023 Kunst: grondstoffen; materiaalkeuze --- Kunst: grondstoffen; materiaalkeuze --- 091:003.5 Handschriftenkunde. Handschriftencatalogi-:-Schrijfmaterialen --- Handschriftenkunde. Handschriftencatalogi-:-Schrijfmaterialen --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria
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According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
Aesthetics --- Art and religion --- Religious literature --- Sacred books --- 291.8 --- 22:7 --- 22:7 Bible et art --- 22:7 Bijbel en kunst --- Bible et art --- Bijbel en kunst --- Religious aspects --- History and criticism --- Bronnen van de godsdienst: openbaring in heilige boeken en traditie; religieuze beslissingen --- 291.8 Bronnen van de godsdienst: openbaring in heilige boeken en traditie; religieuze beslissingen --- Art --- Arts in the church --- Religion and art --- Religion --- 091:22 --- 091:22 Bijbels--(handschriften) --- Bijbels--(handschriften) --- Radio broadcasting Aesthetics --- Art and religion. --- Religious aspects. --- History and criticism. --- Book illumination. --- Book religion. --- Materiality. --- Ornament.
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The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
Political culture --- LITERARY CRITICISM / Medieval. --- History. --- Anjou. --- Charles IV. --- Charles V. --- Charles VI. --- Ellwangen Abbey. --- Guillaume de Machaut. --- Habsburgs. --- Henry VII. --- Jobst of Moravia. --- John of Bohemia. --- Plantagenet. --- Sigismund. --- Valois. --- Vyšší Brod cycle. --- Wenceslas Bible. --- Wittelsbachs.
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The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
Political culture --- History. --- Anjou. --- Charles IV. --- Charles V. --- Charles VI. --- Ellwangen Abbey. --- Guillaume de Machaut. --- Habsburgs. --- Henry VII. --- Jobst of Moravia. --- John of Bohemia. --- Plantagenet. --- Sigismund. --- Valois. --- Vyšší Brod cycle. --- Wenceslas Bible. --- Wittelsbachs.
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The first collection of essays in the English language dedicated to the cultural achievements and politics of one of the most important ruling houses of late medieval Europe. The house of Luxembourg between 1308 and 1437 is best known today for its principal royal and imperial representatives, Henry VII, John the Blind, Charles IV, and Charles's two sons, Wenceslas and Sigismund - a group of rulers who, for better or worse, shaped the political destiny of much of Europe during the fourteenth and early fifteenth centuries. While some of the Luxembourg cultural legacy can still be experienced directly today in and around Prague and southern Germany, and through the literary and musical works of Machaut, Froissart, and Wolkenstein, it reached much further across Europe: from England to present-day Romania, and from the Baltic Sea to the Italian peninsula, alongside the dynasty's homelands in what is now Luxembourg, Belgium and France. However, this culture has not always attracted the scholarly attention it deserves.This volume explores the pan-European impact and influence of the Luxembourgs in a variety of fields: art and architectural history, material culture, Czech, French, German and Latin text production, gender and intellectual history, and music. Embracing the subject matter from multi-disciplinary and transnational perspectives, the essays here offer new insights into the late medieval cultures of the Luxembourg court. Particular subjects treated include the making of the "Wenceslas Bible"; Machaut at the court of John of Luxembourg; and Charles IV's patronage of multilingual literature.On publication this book is available as an Open Access eBook under the Creative Commons license: CC BY-NC-ND.
Political culture --- LITERARY CRITICISM / Medieval. --- Anjou. --- Charles IV. --- Charles V. --- Charles VI. --- Ellwangen Abbey. --- Guillaume de Machaut. --- Habsburgs. --- Henry VII. --- Jobst of Moravia. --- John of Bohemia. --- Plantagenet. --- Sigismund. --- Valois. --- Vyšší Brod cycle. --- Wenceslas Bible. --- Wittelsbachs. --- History. --- Anjou. --- Charles IV. --- Charles V. --- Charles VI. --- Ellwangen Abbey. --- Guillaume de Machaut. --- Habsburgs. --- Henry VII. --- Jobst of Moravia. --- John of Bohemia. --- Plantagenet. --- Sigismund. --- Valois. --- Vyšší Brod cycle. --- Wenceslas Bible. --- Wittelsbachs.
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