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Examines the increasingly prevalent assumption that postmodernism is over and that literature and film are once again engaging sincerely with issues of ethics and politics.
Postmodernism (Literature). --- Semiotics and literature. --- Criticism. --- Poststructuralism. --- Derrida, Jacques --- Criticism and interpretation. --- Sociology of culture --- 82.015.9 --- 82.015.9 Literaire stromingen: postmodernisme --- Literaire stromingen: postmodernisme --- Criticism --- Postmodernism (Literature) --- Poststructuralism --- Semiotics and literature --- Literature and semiotics --- Literature --- Post-structuralism --- Philosophy, Modern --- Structuralism --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Technique --- Evaluation --- Derrida, J. --- Derida, Žak --- Derrida, Jackes --- Derrida, Zhak --- Deridah, Z'aḳ --- Deridā, Jāka --- Dirīdā, Jāk --- Деррида, Жак --- דרידה, ז'אק
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"Explores the changing relationship of fiction to truth, politics, and ethics by picking through the bones of postmodernism and by looking at the state of metafiction today (in novels, films, and television series)"--
Postmodernism --- Fiction --- Arts, American --- Technique --- Themes, motives --- Technique. --- Themes, motives.
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"Explores the changing relationship of fiction to truth, politics, and ethics by picking through the bones of postmodernism and by looking at the state of metafiction today (in novels, films, and television series)"--
Arts, American --- Fiction --- Postmodernism --- Postmodernism. --- Postmodernisme --- Themes, motives --- Themes, motives. --- Technique. --- 2000-2099. --- United States.
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Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan’s musical and literary production. Significantly distinct in approach, each chapter draws attention to the function and implications of certain aspects of Dylan's work—his tendency to confuse, question, and subvert literary, musical, and performative traditions. Polyvocal Bob Dylan places Dylan’s textual and performative art within and against a larger context of cultural and literary studies. In doing so, it invites readers to reassess how Dylan’s Nobel Prize–winning work fits into and challenges traditional conceptions of literature.
Dylan, Bob, --- Alias, --- Blind Boy Grunt, --- Landy, Bob, --- Porterhouse, Tedham, --- Thomas, Robert Milkwood, --- Zimmerman, Robert, --- Literature, Modern-20th century. --- Poetry. --- Music. --- Contemporary Literature. --- Poetry and Poetics. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern --- 20th century. --- 21st century.
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Have we moved beyond postmodernism? Did postmodernism lose its oppositional value when it became a cultural dominant? While focusing on questions such as these, the articles in this collection consider the possibility that the death of a certain version of postmodernism marks a renewed attempt to re-negotiate and perhaps re-embrace many of the cultural, literary and theoretical assumptions that postmodernism seemly denied outright. Including contributions from some of the leading scholars in the field – N. Katherine Hayles, John D. Caputo, Paul Maltby, Jane Flax, among others – this collection ultimately comes together to perform a certain work of mourning. Through their explorations of this current epistemological shift in narrative and theoretical production, these articles work to “get over” postmodernism while simultaneously celebrating a certain postmodern inheritance, an inheritance that can offer us important avenues to understanding and affecting contemporary culture and society.
Postmodernism (Literature) --- Postmodernism. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Literary movements --- Literature, Modern --- Modernism (Literature) --- Post-postmodernism (Literature) --- 82.015.9 --- Literaire stromingen: postmodernisme --- 82.015.9 Literaire stromingen: postmodernisme
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Maps out how new developments in 21st-century philosophy intersect with the study of literatureIncludes an orientational introduction by Claire Colebrook, one of the world's foremost authorities in the fieldEngages dynamic debates about what it means to be human in face of recent developments in science and technology, the repercussions of anthropogenic climate change, and the overall nature of our contemporary momentDraws on new developments in philosophy including speculative realism, object-oriented ontology, the new materialisms, posthumanism, analytic philosophy of language and metaphysics, and ecophilosophyOffers close readings of a range of texts from 19th- and 20th-century classics such as Walden, Uncle Tom’s Cabin and Nineteen Eighty-Four to contemporary novels such as A Visit from the Goon Squad, Oryx and Crake and The Stone GodsThis forward-thinking, non-traditional reference work uniquely maps out how new developments in 21st century philosophy are entering into dialogue with the study of literature. Going beyond the familiar methods of analytic philosophy, and with a breadth greater than traditional literary theory, this collection looks at the profound consequences of the interaction between philosophy and literature for questions of ethics, politics, subjectivity, materiality, reality and the nature of the contemporary itself.Literary Case StudiesOryx and Crake and Year of the Flood by Margaret AtwoodSo Close by Hélène Cixous, 10:04 by Ben LernerKapow! by Adam ThirlwellA Visit from the Goon Squad by Jennifer EganRalph Waldo Emerson’s essays‘Mississippi’ by William FaulknerThe Flood by Maggie GeeThe Ship by Antonia HoneywellThe Map and the Territory by Michel HouellebecqSolar by Ian McEwanWhen the Floods Came by Clare MorrallNineteen Eighty-Four by George OrwellPercy Bysshe Shelley’s poetrySuper Sad True Love Story by Gary ShteyngartWalden by Henry David ThoreauKapitoil by Teddy WayneThe Intuitionist by Colson WhiteheadThe Stone Gods by Jeanette WintersonWilliam Wordsworth’s poetryContributorsRidvan Askin, University of Basel, SwitzerlandR. Scott Bakker, critically acclaimed novelist and independent scholarFrida Beckman, Stockholm University, SwedenR. M. Berry, Florida State University (Emeritus), USACharlie Blake, University of West London, UKAstrid Bracke, HAN University of Applied Sciences, Nijmegen, NetherlandsRey Chow, Duke University, NC, USAClaire Colebrook, Penn State University, USAArne De Boever, California Institute of the Arts, USANicky Gardiner, University of Huddersfield, UKAlison Gibbons, Sheffield Hallam University, UKEvan Gottlieb, Oregon State University, USAGraham Harman, Southern California Institute of Architecture, USABirgit Mara Kaiser, Utrecht University, NetherlandsIngeborg Löfgren, Uppsala University, SwedenRobert P. Marzec, Purdue University, IN, USA Helen Palmer, Kingston University London, UK Adrian Parr, University of Texas Arlington, USAGraham Priest, City University of New York, USA and University of Melbourne (Emeritus), Australia David Rudrum. University of Huddersfield, UKBabette B. Tischleder, University of
Literature --- Philosophy, Modern --- Philosophy, Modern. --- Philosophy. --- 2000-2099. --- 2000-2099
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