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This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
Computer science. --- Music. --- Computer science --- Artificial intelligence. --- Application software. --- Mathematics. --- Computer Science. --- Computer Appl. in Arts and Humanities. --- Mathematics in Music. --- Mathematics of Computing. --- Artificial Intelligence (incl. Robotics). --- Math --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Computer mathematics --- Discrete mathematics --- Electronic data processing --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Mathematics --- Music --- Music $ --- Communication in art --- Psychological aspects --- Semiotics --- Data processing --- Science --- Computer software --- Bionics --- Cognitive science --- Digital computer simulation --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Information systems. --- Artificial Intelligence. --- Computer science—Mathematics. --- Philosophy and aesthetics.
Choose an application
This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
Human sciences (algemeen) --- Mathematics --- Computer science --- Programming --- Computer architecture. Operating systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Computer. Automation --- Music --- applicatiebeheer --- apps --- computers --- informatica --- muziek --- sociale wetenschappen --- externe fixatie (geneeskunde --- wiskunde --- KI (kunstmatige intelligentie) --- computerkunde --- architectuur (informatica) --- robots --- AI (artificiële intelligentie)
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