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Classical literature --- Greek philology --- Scholia --- History and criticism --- History
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Latin literature --- Oratory, Ancient --- Speeches, addresses, etc., Latin --- History and criticism --- Cicero, Marcus Tullius --- Criticism and interpretation
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The leitmotif of this volume is the concept of author images, which is used in modern literary studies to describe processes of production and reading of literary works and is here applied for the first time to the study of ancient works. As a means of analysing ancient literature, it captures the aspect of personification, which is characteristic of ancient author concepts, and at the same time points to the fact that there is a difference between image and author and that it is only an image and not the author himself that can be seen and grasped by readers.This makes the author image particularly suitable for examining the intersections of material, rhetorical and mental representations of literary authorship that form the subject of this volume. Using selected examples from Latin and Greek literature, the contributors explore the fields of cultural experience that nourish authorial images. They discuss the manifold possibilities of visualising and representing a persons quality of being an author in general or being an author of specific works, be it physically through artworks or pictures, metaphorically through evoked authorial figures, through thematised representations of authors in a text, or through the combination of authorial images and texts.These issues are addressed in four overlapping sections, each focusing on different areas of the metaphors application, namely material images in the form of artworks, knowledge about persons, textual images as authorial strategies and images in reception
Écrivains --- Autorité
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"Contextualisation" is generally held to be an indispensable instrument for analysing ancient works. Identifying something as a "context" involves providing an explanation for it that allows the contextualised text or fact to be appropriately understood. Thus, the decision to view something as a context is closely connected with the problem of correct interpretation. It is the aim of this volume to critically examine these two concepts and to initiate reflection on the methodology used. The volume starts by introducing three contextual concepts developed in the fields of cultural studies, linguistics and modern literary studies. A number of papers using Greek and Latin works as examples reflect on the meaning of "context", the ways of establishing relationships between texts and contexts, and the resulting potential for analysis and interpretation. The papers are divided into three sections that focus on how the term and concept of "context" is used in interpretations, on the problem of missing or multiple contexts, and on possible interfaces that the ancient works themselves provide between text and context(s)."--Back cover.
Context (Linguistics) --- Literature, Ancient --- Literature, Ancient. --- Analysis. --- History and criticism.
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Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. On the other hand, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions.
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This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca's choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
Horace. --- Horaz. --- Intertextualität. --- Rezeptionswissenschaft. --- Seneca. --- intertextuality. --- reception studies. --- Horace --- Seneca, Lucius Annaeus, --- Seneca, Lucius Annaeus --- Seneca --- Annaeus Seneca, Lucius, --- Seneca, Annaeus, --- Seneca, --- Seneca, L. A. --- Seneca, Lucio Anneo, --- Seneka, --- Seneka, L. Annėĭ, --- Sénèque, --- סנקא, לוציוס אנאוס --- Pseudo-Seneca --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Intertextualität. --- LITERARY CRITICISM / Ancient & Classical. --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.)
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