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316.77 --- #SBIB:309H040 --- #SBIB:316.7C140 --- #SBIB:316.7C130 --- 316.77 Communicatiesociologie --- Communicatiesociologie --- Populaire cultuur algemeen --- Cultuursociologie: cultuur en globale samenlevingen --- Groepscultuur en subculturen

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Art --- interviews --- Ataman, Kutlug --- Perry, Grayson --- Bonami, Francesco --- Johnson, Rashid --- Julien, Isaac --- Abramovic, Marina --- Lu Qing --- Milhazes, Beatriz --- Mutu, Wangechi --- Simmons, Laurie --- Koons, Jeff --- Zeng, Fanzhi --- Elmgreen & Dragset --- Carland, Emmy Rae --- Sherman, Cindy --- Cattelan, Maurizio --- Kusama, Yayoi --- Dittborn, Eugenio --- Fraser, Andrea --- Hirst, Damien --- Noland, Cady --- Alÿs, Francis --- Rosler, Martha --- Orozco, Gabriel --- Dunham, Caroll --- Marclay, Christian --- Ai Weiwei --- anno 2000-2099

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Subcultures--social groups organized around shared interests and practices can take many forms. From the 1950s juvenile delinquent as portrayed by Elvis, James Dean and Marlon Brando to 'Taxi Driver's' Travis Bickle, from 1970s punk rockers Sid Vicious and Johnny Rotten to 90s angst-ridden Kurt Cobain and Henry Rollins, from fans of 'Star Trek' to the current crowd of internet surfers, subcultures define themselves in opposition to 'others'-- workers, "achievers," "squares" and the "mainstream." They also differentiate among themselves and in doing so, create hierarchies of participation, knowledge and taste. Subcultures carve out their own territories, in both public and private spaces. Arranged in a similar manner to Routledge's successful 'Cultural Studies Reader', all essays have been specially selected and edited for inclusion, and are grouped in sections, each with an editor's introduction. The general introduction maps out the field of subcultural studies,illustrating how subcultures have been explored from a range of disciplinary perspectives, including social history, anthropology, cultural studies and media. 'The Subcultures Reader' brings together the most valuable and stimulating writings on subcultures, from work of the early work of the Chicago School to the present work being done by theorists such as Simon Frith, Marjorie Garber, Dick Hebdige and Lawrence Grossberg. It provides an essential guide to the field, enabling readers to understand how subcultural studies developed, the range of work it encompasses, and the future direction for the study of subcultures. Contributors:Howard Becker, Marcos Becquer, Gary Clark, John Clarke, Albert K. Cohen, Phil Cohen, Stanley Cohen, Paul G. Cressey, Douglas Crimp, Barbara Ehrenreich, Wendy Fonarow, William Foote Whyte, Simon Frith, T.R. Gyvel, Marjorie Garber, Jose Gatti, Paul Gilroy, Kevin Goffman, Milton Gordon, Lawrence Grossberg, Elizabeth Hess, John Irwin, GloriaJacobs, Henry Jenkins, Dave Laing, G

Sociology of culture --- Social psychology --- Group identity --- Subculture --- Identité collective --- Psychologie sociale --- Subculture. --- Social psychology. --- Group identity. --- #SBIB:309H040 --- #SBIB:316.7C130 --- #SBIB:AANKOOP --- #KVHA:Subculturen --- #KVHA:American Studies --- Populaire cultuur algemeen --- Groepscultuur en subculturen --- Identité collective --- Mass psychology --- Psychology, Social --- Human ecology --- Psychology --- Social groups --- Sociology --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Collective memory --- Subcultures --- Culture --- Ethnopsychology --- Counterculture

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Subculture --- Popular culture --- Music and youth --- Discotheques --- Bars (Drinking establishments) --- Great Britain

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Sarah Thornton volgde jarenlang 33 beroemde kunstenaars en was tijdens haar bezoeken aan hen als een vlieg op de muur. Ze ontmoet de politiek geëngageerde Ai Weiwei voor en na zijn gevangenschap, en ze spreekt met Jeff Koons over zijn rijke klanten in Londen, Frankfurt en Abu Dhabi. De lezer maakt verder kennis met andere wereldberoemde kunstenaars, onder wie Damian Hirst, Marina Abramović, Cindy Sherman en Lena Dunham. Waarom maken zij kunst en wat betekenen hun kunstwerken?In Wat is een kunstenaar? stelt Thornton de vraag of een kunstenaar bij uitstek een onder­nemer is of het kunstenaarschap juist een roeping is. Is het een filosofische bezigheid of is het puur vermaak? Thornton is de perfecte gids, die de­ wereld van de moderne kunst voor iedereen­toegankelijk maakt.Na het lezen van Wat is een kunstenaar? wordt de kunst waar je eerst je schouders voor ophaalde opeens bijzonder interessant en vermakelijk.

Kunstfilosofie --- Kunst --- Kunstenaars --- 7.01 --- 7.039 --- 7.071 --- Kunsttheorie ; Sarah Thornton over hedendaagse kunstenaars --- Beeldende kunstenaars ; beroep ; vak ; bedrijf ; 21ste eeuw --- 1960 --- -interviews --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; kunstenaars en beroep --- Art --- Contemporary [style of art] --- hedendaagse kunst --- Ataman, Kutlug --- Perry, Grayson --- Bonami, Francesco --- Johnson, Rashid --- Julien, Isaac --- Abramovic, Marina --- Milhazes, Beatriz --- Mutu, Wangechi --- Simmons, Laurie --- Koons, Jeff --- Zeng, Fanzhi --- Elmgreen & Dragset --- Carland, Emmy Rae --- Bankowsky, Jack --- Dalton, Jennifer --- Powhida, William --- Sherman, Cindy --- Cattelan, Maurizio --- Kusama, Yayoi --- Dittborn, Eugenio --- Dunham, Carroll --- Fraser, Andrea --- Hirst, Damien --- Noland, Cady --- Alÿs, Francis --- Rosler, Martha --- Orozco, Gabriel --- Marclay, Christian --- Ai Weiwei --- anno 1900-1999 --- anno 2000-2009 --- kunstenaarschap