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This is the first study to recognise the broad impact of opera in early-modern French culture._Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau, and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth.
Theatrical science --- anno 1600-1699 --- anno 1700-1799 --- Opera --- Music and state --- Enlightenment --- Music --- Opéra --- Musique --- Siècle des Lumières --- History --- Philosophy and aesthetics --- Politique gouvernementale --- Histoire --- Philosophie et esthétique --- History. --- Philosophy and aesthetics. --- -Music --- -Music and state --- -Opera --- -Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- State and music --- Cultural policy --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- History and criticism --- Social aspects --- -Philosophy and aesthetics --- -Drama --- Comic opera --- Opéra --- Siècle des Lumières --- Philosophie et esthétique --- -State and music --- Gluck-Piccinni controversy --- Querelle des Bouffons --- France --- 17th century --- 18th century --- Opera - France - 17th century. --- Opera - France - 18th century. --- Music and state - France - History. --- Enlightenment - France. --- Music - France - Philosophy and aesthetics. --- Opera - France - 18th century --- Music and state - France - History --- Enlightenment - France --- Music - France - Philosophy and aesthetics
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The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. What has often escaped notice, however, is the fact that music figures prominently in this search. This study analyses instances of thinking or reasoning about music and music theory as they appear within the logical and narrative structure of contemporary texts, including writings by Rousseau, Diderot, Rameau and Condillac. These can only be properly understood as part of an interdisciplinary project, as situated within a field of larger cultural issues and concerns. The author is interested in the ways in which music functions within this discursive framework to facilitate links between language and meaning, and between conceptions of an original society and an ideal social order.
Music and language --- Musique et langage --- Muziek en taal --- Language and languages --- Origin --- History --- 18th century --- France --- Intellectual life --- 78.88 --- Music --- muziekesthetica --- anno 1700-1799 --- Language and languages - Origin --- France - Intellectual life - 18th century --- Music and language. --- Origin. --- Language and music --- Origin of languages --- Speech
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Comic opera --- Drame lyrique --- Komische opera --- Lyric drama --- Lyrisch drama --- Muziekdrama --- Muziektheater --- Opera --- Opera -- Geschiedenis en kritiek --- Opera -- History and criticism --- Opera [Comic ] --- Opera [Komische ] --- Opera's -- Gechiedenis en kritiek --- Operas -- History and criticism --- Opéra --- Opéra -- Histoire et critique --- Opéra comique (au sens large) --- Opéras -- Histoire et critique --- Social aspects --- History --- Aspect social --- Histoire --- Opera. --- Opéra --- History. --- 78.16 Iowa City --- 78.77.0
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