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Exposition --- Kuri, Gabriel --- kunst --- eenentwintigste eeuw --- beeldhouwkunst --- installaties --- Kuri Gabriel --- Mexico --- 73.071 KURI --- Exhibitions
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India is the homeland of the artist Shilpa Gupta. But the border is her most important theme. Not only because her art is now drawing international attention and is anchored in intermedia. The border also plays a very specific role, because the artist has been studying everyday life at India's border with Bangladesh in a long-term project. As a researcher, she has been investigating the field of interactions, influences, and impacts that comprise life and experience there. Whether it's the structure of space, or simple objects, censorship, laws, and limitations, all is pointedly expressed in Gupta's work. This publication encapsulates all of the work she has created on this subject, documenting life on the border as well Gupta's visionary art. Both are important and awaiting discovery here.
Art --- migration [function] --- boundaries --- Contemporary [style of art] --- maatschappijkritiek --- Gupta, Shilpa --- India --- Bangladesh
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The globalized world seems at once transparent and opaque. The exhibition project "Transparencies" examined the cultural facets and atmospheres of these (non- )transparencies. The two-part, joint exhibition project in Bielefeld and Nuremberg was dedicated to developments in "transparent society," asking how these are reflected in the current work by contemporary artists. The paradigm of transparency and the ambivalence of the term was addressed by participating artists in multiple, diverse ways. This book documents both exhibitions and outlines all of the contributions to this substantial project. Conceptually designed by Metahaven, it contains artistic statements and scientific essays that encourage an ongoing discussion of the subject. The globalized world seems at once transparent and opaque. The exhibition project "Transparencies" examined the cultural facets and atmospheres of these (non-)transparencies. The two-part, joint exhibition project in Bielefeld and Nuremberg was dedicated to developments in "transparent society," asking how these are reflected in the current work by contemporary artists. The paradigm of transparency and the ambivalence of the term was addressed by participating artists in multiple, diverse ways. This book documents both exhibitions and outlines all of the contributions to this substantial project. Conceptually designed by Metahaven, it contains artistic statements and scientific essays that encourage an ongoing discussion of the subject.
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Drawing --- Painting --- Boghiguian, Anna --- kunst --- Egypte --- twintigste eeuw --- eenentwintigste eeuw --- 7.071 --- schilderkunst --- tekenkunst --- installaties --- Boghiguian Anna --- Art --- histories [literary works] --- sculpture [visual works] --- installations [visual works] --- political art --- globalization --- narrative art
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