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Art --- racial discrimination --- immigration --- performance art --- motion pictures [visual works] --- Pfeifer, Mario
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Landscapes in art --- Words in art --- Paysages dans l'art --- Mots dans l'art --- Exhibitions --- Expositions --- Luyten, Mark, --- Luyten, Marc --- Art --- art [fine art] --- photography [process] --- Nature --- Luyten, Mark --- art [discipline]
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An overview of Dawit L. Petros's research into the layers of colonial and post-colonial histories connecting East Africa and Europe. Reframing archival materials about the Italian presence in Ethiopia and Eritrea between the late nineteenth and early twentieth centuries, Petros has developed an expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.
Photographie --- Fonds d'archives --- Colonialisme --- Art --- installations [visual works] --- photography [process] --- colonization --- migration [function] --- color [perceived attribute] --- travel --- visual inspection --- postcolonialism --- globalization --- African diaspora --- Petros, Dawit
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Art --- art [discipline] --- Maljković, David --- Johnson & Johnson --- Chişa, Anetta Mona --- Didžiapetris, Gintaras --- Drazic, Dusica --- Eskinja, Igor --- Kolodziejska, Anna --- Mancuska, Ján --- Miklósi, Dénes --- Mirutziu, Alex --- Molska, Anna --- Moudov, Ivan --- Mureşan, Ciprian --- Ostoya, Anna --- Polataiko, Taras --- Tkàčová, Lucia --- Xhafa, Sislej --- Zdjelar, Katarina --- Althamer, Paweł --- Ondàk, Roman --- Sasnal, Wilhelm --- Narkevičius, Deimantas --- anno 2000-2009 --- anno 2010-2019 --- Eastern and Central Europe
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Art --- installations [visual works] --- art [fine art] --- video art --- light art --- digital art [visual works] --- Bulloch, Angela --- Installations (Art) --- Computer art --- Video art --- art [discipline]
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Drawing --- drawings [visual works] --- installations [visual works] --- mixed media --- Banner, Fiona
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"More than thirty years ago the Swiss-Argentine artist Vivian Suter (*1949) moved to the rain forest in Panajachel, Guatemala, to live on a former coffee plantation. Since then she has worked on her impressive paintings in her wooden-hut studio, as well as outdoors. The tropical garden is her playground; her canvases lie on the sandy ground or hang in trees; dust, mud, leaves, mangos, and insects leave their traces on them. Her painting is influenced by organic processes and coincidence--even natural disasters are her material, when flood waters make their mark on canvases, becoming part of her large, colorful paintings. Containing documentation of her living and work spaces, as well as brief statements from companions and friends, the monograph also offers essays, numerous pictures, and insight into the artist's private life"--Publisher's description.
Vivian Suter --- Suter, Vivian --- 75.07 --- Suter, Vivian °1949 (°Buenos Aires, Argentinië) --- Vrouwelijke kunstenaars --- Beeldende kunst en natuur --- Schilderkunst ; schilders A-Z --- Suter, Vivian, --- Exhibitions
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Sculpture --- found objects --- installations [visual works] --- psychology --- memory [psychological concept] --- sculpting --- Nelson, Mike
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histories [literary works] --- installations [visual works] --- multimedia works --- photography [process] --- racial discrimination --- colonization --- video art --- heroes --- commemorating [function] --- narrative art --- decolonization --- Huber, Sasha
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Art --- installations [visual works] --- video art --- performance art --- light art --- monochrome --- prisons [buildings] --- psychiatric clinics --- hospitals [buildings for health facility] --- Kiwanga, Kapwani --- Installations (Art) --- Kiwanga, Kapwani - 1978 --- -Installations (Art) --- -Art
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