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"Shortly after his arrival in Paris in July 1921, Man Ray (1890-1976)-the pseudonym of Emmanuel Radnitzky-embarked on a sustained campaign to document the city's international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray's subjects included cultural luminaries such as Berenice Abbott, Andre Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Meret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray's portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Annees folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation."--Provided by publisher.
Portrait photography. --- Man Ray, --- Portrait photography --- Photography, Artistic --- Photography --- Portraits (Photographie) --- Photographie artistique . --- Friendship. --- Friends and associates --- Emak-bakia (Motion picture) --- Criticism and interpretation. --- Man Ray --- 1921 - 1940 --- 20ste eeuw --- Parijs --- Man Ray. --- 1921 - 1940. --- 20ste eeuw. --- Parijs. --- Wereldoorlog I. --- geschiedenis. --- Rusland. --- België.
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Sculpture --- public art --- preparatory studies --- sculpting --- Lipchitz, Jacques --- France --- United States of America
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"A collection of critical and creative essays exploring pataphysics, a late nineteenth-century French absurdist precursor to Dadaism, surrealism, and the Theater of the Absurd. Reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century"--
Pataphysics --- History
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"A collection of critical and creative essays exploring pataphysics, a late nineteenth-century French absurdist precursor to Dadaism, surrealism, and the Theater of the Absurd. Reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century"--
Pataphysics --- History.
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Artists' preparatory studies --- kunst --- twintigste eeuw --- Duchamp Marcel --- Etant donnés --- 7.071 DUCHAMP --- Preliminary sketches (Art) --- Preparatory studies (Art) --- Presentation drawings (Art) --- Sketches, Preparatory (Art) --- Working drawings (Art) --- Art --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- MAD-faculty 14 --- Duchamp, Marcel --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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Gorky, Arshile, --- Gorky, Arshile --- surrealisme --- abstracte kunst --- departement Beeldende Kunst 10 --- schilderkunst --- 20ste eeuw --- abstracte, niet-figuratieve kunst --- surrealisme. --- abstracte kunst. --- Gorky, Arshile.
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Art --- sculpture [visual works] --- installations [visual works] --- painting [image-making] --- avant-garde --- optical illusion --- ready-mades [found objects] --- Dada --- Duchamp, Marcel
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Painting --- easel paintings [paintings by form] --- Impressionist [style] --- Gogh, van, Vincent --- Degas, Edgar --- Monet, Claude --- anno 1800-1999 --- France
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Art, Modern --- Portraits --- History --- Duchamp, Marcel,
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